The Coronation of the Virgin with Six Saints


size(cm): 50x35
Price:
Sale price£144 GBP

Description

The painting "The Coronation of the Virgin with Six Saints" by Italian artist Ridolfo Ghirlandaio is a late Renaissance masterpiece noted for its refined artistic style and harmonious composition. This work, with an original size of 276 x 192 cm, was created in the year 1500 and represents the coronation of the Virgin Mary surrounded by six saints.

Ghirlandaio's artistic style is characterized by detailed realism and meticulous technique, which can be seen in the precision of the details in the characters' clothing and faces. The composition of the painting is balanced and symmetrical, with the Virgin Mary in the center and the six saints around her. The figure of the Virgin Mary stands out for its beauty and elegance, with a dark blue dress and a gold crown.

The color in the painting is vibrant and luminous, with warm tones of red, yellow and orange contrasting with cooler tones of blue and green. The golden details on the clothes and the crowns of the saints bring a special shine to the work.

The history of the painting is interesting, as it was commissioned by the Vespucci family in the 16th century for the chapel of the church of San Salvatore al Monte in Florence. The work was restored several times and is currently in the Uffizi Gallery in Florence.

Little-known aspects of the painting include the presence of six saints in the work, representing Saint John the Baptist, Saint Francis of Assisi, Saint Lawrence, Saint Anthony the Abbot, Saint Bernard, and Saint Cosmas. In addition, it is said that the figure of the angel holding the crown of the Virgin Mary was inspired by the face of the artist's wife.

In short, "The Coronation of the Virgin with Six Saints" is an outstanding work of art that stands out for its refined artistic style, harmonious composition, vibrant color, and interesting story. This late Renaissance masterpiece is a perfect example of Ridolfo Ghirlandaio's talent and skill as an artist.

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