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Before the Race, pastel by Edgar Degas, c. 1887–1889: jockeys in colored silks wait on horseback for the start, a composition related to the pastel in the Blaquier-Arrieta collection

The Blaquier-Arrieta Collection: A $180 Million Van Gogh, Argentine Sugar and Twelve Hidden Paintings

coleccionismo

Sotheby’s is selling the Blaquier-Arrieta collection in New York: twelve Impressionist and Post-Impressionist masterpieces that almost no one has seen in half a century, led by a Van Gogh estimated at $180 million. Behind the paintings stand a sugar heiress, a businessman accused of complicity in the Night of the Blackout and a chain of owners worthy of a novel.

The Yellow Cow by Franz Marc, 1911: a yellow cow leaps through a landscape of blue mountains, at the Guggenheim Museum in New York

Franz Marc, Painter of the Blue Horses: Two Weddings, a White Dog and Death at Verdun

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Before the blue horses there was an aspiring pastor, a marriage of convenience and a love that took years to become legal. Taking the major Düsseldorf retrospective as our cue, we trace Franz Marc's private life to his death at Verdun, and the mystery of his lost painting.

View of Whistler’s Peacock Room, Harmony in Blue and Gold (1876–1877), with its gilded shelves for porcelain, at the Freer Gallery of Art in Washington

Whistler v. Ruskin: The Dandy Who Sued Over a Rocket and Won a Farthing

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Much more than the painter of his mother’s portrait, James McNeill Whistler was the most quarrelsome dandy in London: he fled a bombardment in Valparaíso on horseback, turned his patron’s dining room into a battlefield and took the most powerful critic of his day to court. With the Van Gogh Museum’s major retrospective as a backdrop, we trace the secret life of the painter who won a lawsuit, collected a farthing and ruined himself defending the freedom of art.

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