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The Fortune-Teller by María Blanchard, 1924: several figures gathered around a table, a scene from the Spanish Cubist painter's figurative period

María Blanchard, the Cubist Who Painted Against Her Own Body: Juan Gris, Lorca and the Prado

arte del siglo XX

Born with a bent spine, called a “witch,” and laughed at by Madrid for her Cubist paintings. A friend of Juan Gris and mourned by Lorca, María Blanchard now has a work in the Prado.

Installation view of Hilma af Klint: Paintings for the Future at the Guggenheim Museum, New York, 2018–2019

Hilma af Klint, the Painter Who Hid the Future: Auction, Spirits and Secrets

abstracción

Bukowskis will offer one of the very few abstract paintings by Hilma af Klint ever to reach the market in Stockholm on November 19. Behind it lies a story of séances, a blind mother, Steiner’s rejection, an erased friend and some crates that nearly burned.

The Death of Marat I by Edvard Munch (1907): a bloodied man lying on a bed and a naked woman standing, an image of his break-up with Tulla Larsen

Munch and Picasso in Málaga: Two Gunshots, a Murderess and the Ghosts of the Painter of The Scream

arte del siglo XX

The Museo Picasso Málaga brings Munch and Picasso together for the first time: two painters who never met, yet turned love, illness and death into unforgettable images. From the shot at Åsgårdstrand to Casagemas’s suicide, we trace the intimate wounds that link The Murderess to Woman with a Stiletto.

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