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The Yellow Cow by Franz Marc, 1911: a yellow cow leaps through a landscape of blue mountains, at the Guggenheim Museum in New York

Franz Marc, Painter of the Blue Horses: Two Weddings, a White Dog and Death at Verdun

arte del siglo XX

Before the blue horses there was an aspiring pastor, a marriage of convenience and a love that took years to become legal. Taking the major Düsseldorf retrospective as our cue, we trace Franz Marc's private life to his death at Verdun, and the mystery of his lost painting.

View of Whistler’s Peacock Room, Harmony in Blue and Gold (1876–1877), with its gilded shelves for porcelain, at the Freer Gallery of Art in Washington

Whistler v. Ruskin: The Dandy Who Sued Over a Rocket and Won a Farthing

arte del siglo XIX

Much more than the painter of his mother’s portrait, James McNeill Whistler was the most quarrelsome dandy in London: he fled a bombardment in Valparaíso on horseback, turned his patron’s dining room into a battlefield and took the most powerful critic of his day to court. With the Van Gogh Museum’s major retrospective as a backdrop, we trace the secret life of the painter who won a lawsuit, collected a farthing and ruined himself defending the freedom of art.

Caoutchouc, a gouache and watercolor by Francis Picabia from around 1909, with overlapping circles and planes, considered one of the first abstract works in Europe

Francis Picabia, the Millionaire of the Night: Cars, Lovers and Secrets of the Dada Rebel

arte del siglo XX

Millionaire, teenage forger, deserter and car collector, Francis Picabia changed styles as often as he changed shirts and made the night his studio. As Milan gives him the largest exhibition he has ever had in Italy, we trace the secrets of his life: Gabriële Buffet, Duchamp, the lovers, the magazine girls and a family's silence.

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