Tigre - 1912


Size (cm): 70x60
Price:
Sale price£204 GBP

Description

The "Tigre" painting of 1912, made by Franz Marc, is at the intersection of animal representation and emotional expression, two fundamental pillars in the work of this outstanding German artist. Marc, an outstanding member of the expressionist movement and the artistic avant -garde of the early twentieth century, uses its particular style to transmit not only the essence of the animal represented, but also a deep connection with nature and spirituality.

In "Tigre", the figure of the Great Feline is the central axis of a composition that is characterized by a rich color palette, where warm colors such as oranges and yellow, which are intertwined with bluish and greenish nuances predominate. This color use is not merely decorative; It is carefully thought to evoke sensations and emotions. The tiger, represented in a frontal plane, seems to be in motion, which suggests a latent force and dynamism that invite the viewer to contemplate the vitality of the animal.

Marc uses soft and fluid lines that delineate the figure of the tiger, but also incorporates geometric shapes in the background, which reflects its interest in the simplification of forms and the use of color as an emotional vector. The interaction between the tiger and its environment seems to be designed to emphasize the animal's relationship with the nature that surrounds it, suggesting a fusion between them. The bottom, although less defined, is composed of an environment that suggests lush vegetation, which contrasts with the power and character of the tiger.

The tiger, as a symbol, has been used throughout the history of art to represent both ferocity and majesty. In the context of Marc's work, this animal can be interpreted as a symbol of the struggle for life and the spiritual connection that the artist felt with the animal world. The choice of this subject is not accidental; It is part of Marc's search for a new iconography that aligns with his philosophical thinking about nature, art and humanity.

Expressionism, as a current in which Franz Marc enrolls, seeks to represent not so much external reality, but the internal experience of the artist, his emotions and perceptions. In "Tigre", you can see a clear reflection of this intention, where the tiger is not only an animal, but a carrier of a vibrant vital energy and a deep connection with the instinctive.

Franz Marc is known for his ability to capture the essence of animals in his work, largely influenced by his friendship with other members of the Der Blaue Reiter group. His unique approach in form and color, added to his desire to transcend the mere realistic representation, allows "tiger to" not only work as an illustration of a visual moment, but as a comment on the very condition of life.

In sum, "Tigre" of 1912 is a work that invites reflection on the relationship between human beings and the natural world. Through its unique style, Franz Marc offers a powerful and emotional interpretation that remains relevant, challenging the viewer to reconsider their own connection with the nature that surrounds us.

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