Description
Kazimir Malevich, one of the most influential innovators of Russian avant -garde movement, presents us in "Samovar - 1913" a work that encapsulates its constant search for a new form of artistic expression through cubofuturism. This style, derived from the fusion of Cubism and futurism, is distinguished by its interest in geometric fragmentation and the dynamics of forms, as well as for its exploration of the relationship between space and time in painting.
The composition of "Samovar - 1913" is an eloquent testimony of Malevich's aesthetic concerns during this period. The work, although entitled around a daily object of Russian culture, the Samovar, goes beyond a simple figurative representation to enter a geometric abstraction. The Samovar decomposes in a set of forms and volumes that are intertwined and overlap, creating an intricate visual framework that forces the viewer to a detained and reflexive contemplation.
The colors in "Samovar - 1913" are bold and contrasting. Malevich uses whites, blacks, different shades of gray and brown to shape the general complexion of the work, with subtle touches of red that add vivacity to the composition. This color palette not only contributes to the aesthetics of the work, but also reinforces the tension between the forms, creating a sense of movement and energy that breaks with the expected stillness of a static object such as Samovar.
A crucial aspect to consider in this painting is the absence of humanized characters, which underlines Malevich's inclination towards the elimination of the anecdotal in favor of the universal. This elimination does not imply an absence of humanity, but rather a celebration of the essence of objects and their ability to transmit broader meanings through their form and their relationship with the surrounding space.
The year 1913 is significant within the artistic career of Malevich since it is located on the threshold of its evolution towards suprematism, its most radical contribution to modern art. While "Samovar - 1913" still retains strokes of buffuturism, simplification and abstraction of forms anticipate the turn towards suprematism, a style that Malevich would fully develop a couple of years later and that is characterized by the use of pure geometric shapes and a reduced color palette, seeking to express the supremacy of pure sensitivity in art.
This work by Malevich, although less known than his famous suprematist compositions as "black square," remains an essential piece to understand the author's artistic journey. "Samovar - 1913" It is a manifestation of its attempt to free the art from the restrictions of traditional representation and bring it to a plane where shapes and colors speak a universal and timeless language.
In conclusion, "Samovar - 1913" is a piece that, through its complex visual and chromatic architecture, illustrates the turning point in Kazimir Malevich's career. It invites us to explore not only the nature of the object portrayed, but also the underlying principles of buffuturism and future innovations of suprematism. It is a work that continues to resonate in contemporary artistic discourse, evidencing the avant -garde vision of Malevich and its enduring influence on the evolution of modern art.
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