Pegasus starting - 1901


Size (cm): 75x60
Price:
Sale price£210 GBP

Description

The work "Pegasus starting" by Albert Pinkham Ryder, created in 1901, is a magnificent example of symbolism and romantic sensitivity that characterize the artist. Ryder, known for its landscapes and mythological themes, delivers a deeply evocative representation in this painting. The figure of Pegasus, the legendary winged horse of Greek mythology, is the undisputed protagonist of the work, dispersing an aura of majesty and dynamism that immediately attracts the viewer's attention.

The composition of "pegasus starting" is remarkable for its balanced structure and sensory impulse. Ryder uses a darke and deep color palette, predominantly the blue and black, which are complemented with touches of gold and white. This chromatic choice not only gives life to the central figure of the horse, but also suggests an enigmatic landscape that seems to transcend reality. The Pegasus representation captures a moment of movement, suggesting that it is about to take off to the sky, which infuses the work of a sense of freedom and escape.

In the work, the dark background contrasts with the brilliance of Pegasus's body, which accentuates its shape and makes it virtually a symbol of human desire for the sublime. The lack of human figures in the painting suggests a more abstract and metaphorical space, where the presence of the viewer becomes an essential element for the interpretation of the work. This absence also emphasizes the idea that the connection with the divine or the extraordinary is something that transcends the human condition.

Ryder is considered part of the movement of light painting, but his style has a distinctive character that moves away from the purely luminist technique. Its inclination towards the symbolic and its ability to manipulate light and color are clearly distinguished in "pegasus starting." It is often attributed to the creation of dream atmospheres, and this is evidenced in the way the light seems to flow over the body of the horse, projecting a halo that gives it an almost mystical air.

The influence of nature and mythological are also manifested in this work. Ryder, with his academic training and his deep interest in literature and poetry, manages to merge these elements in an artistic expression that feels both earthly and ethereal. His painting is not limited to the representation of a mythological theme, but invites a deeper reflection on the freedom, power and transcendence of the spirit.

In the context of its artistic production, "Pegaso starting" is aligned with other works by Ryder that explore similar issues, such as "The Barca de Caronte" and "The Transit of San Juan". However, this work stands out particularly for its focus on movement and luminosity, elements that are separated from the conventional narrative of its previous work.

Ryder's painting, although he was recognized and valued in his time, has often been eclipsed by more prominent contemporaries in art history. However, "Pegasus starting" is a testimony of its unique contribution to American painting and a reminder of the power of imagination in artistic creation. The work is erected not only as a tribute to Greek mythology, but as a meditation on the desires living in the human soul.

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