Omnicience - 1925


Size (cm): 75x55
Price:
Sale price£204 GBP

Description

The "omniscience" painting of José Clemente Orozco, carried out in 1925, is erected as a central work in the production of the Mexican muralist, both for its thematic complexity and for its formidable technical execution. Orozco, one of the most significant figures of Mexican muralism, addresses deep concepts that invite reflection on human condition and knowledge.

When observing the paint, it is inevitable to be impressed by the color palette of Orozco, which moves between dark tones and spectral nuances. Deep blacks and gray are intertwined with touches of vibrant colors, which together create a dramatic and almost apocalyptic atmosphere. This chromatic choice not only establishes an emotional tone, but also underlines the weight of the issues that Orozco insists on exploring: the truth and suffering of the human being.

The composition of "omniscience" is particularly intriguing. In the center of the work, supported on a figure in almost power attitude, the spectator witnesses an allegorical representation of wisdom and knowledge. The central character, a male figure that seems to cover the entire painting, It symbolizes the forces of human understanding. Around him, a series of characters unfold in a kind of vortex, which grant to painting movement and dynamism, suggesting the interconnection of humanity and knowledge.

In addition, Orozco incorporates elements of civilization and its history. The figures that surround it, although they are not explicitly identified, can be interpreted as representations of different aspects of human experience, from struggle to hope. The central character's gaze is lost on the horizon, creating a tension between what is known and the unknown, and invites us to reflect on the limitations of our understanding.

The Orozco style in "omniscience" is also inserted in the broader dialogue of Mexican muralism, where the portrait of the social, political and spiritual status of Mexico is a constant. Compared to other contemporary muralists, such as Diego Rivera and David Alfaro Siqueiros, Orozco stands out for his psychological approach, where human drama becomes the central axis of his work. Through its technique, which combines the use of fresco with oil, achieves a rich and vibrant texture, while squeezing powerful emotions that last beyond mere visual representation.

In "omniscience", Orozco not only presents an artistic work; It offers a deep comment on the search for knowledge and the inevitable connection with the suffering inherent in the human condition. This painting can be considered an invitation to introspection, to question who we are and what we aspire to know in a world full of complexities and challenges. The work, then, remains as a testimony of the Orozco genius, a creator who knew how to capture in his canvases the essence of the life and struggle of the human being.

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