LOS GROGOS - 1911,


Size (cm): 55x75
Price:
Sale price£204 GBP

Description

The painting "Los Galos" (1911) of Amadeo de Souza-Cardoso is a work that encapsulates the innovative spirit of the first modernism in Portugal and the search for new forms of expression in an artistic context in full transformation. Souza-Cardoso, a prominent representative of the modernist movement, combines in this work a series of elements that reveal their deep understanding of both color and form, integrating influences of Fauvism and Cubism, currents that marked the future of art in France of the twentieth century.

The composition of "the greyhounds" is remarkable for the way it organizes the central figure, the greyhounds, in a space that feels both dynamic and structured. Dogs, anchored in what could be interpreted as a vaguely geographical or emotional environment, are positioned in a diagonal that crosses the canvas, suggesting movement and the possibility of escape. This sense of action is enhanced by the choice of vibrant and contrasting colors; The warm tones of greyhounds, energetic and living, contrast with a background that mixes green and blue, generating an almost dreamlike atmosphere that invites the viewer to immerse himself in the work.

Color use is one of the most shocking aspects of "greyhounds." Souza-Cardoso uses a palette that might seem, at first glance, arbitrary, but that is actually carefully calibrated to cause emotions and establish a dialogue between forms and space. The yellow, oranges and lands that predominate in the greyhound figures are found in a continuous game with the green and blue of the background, creating a plastic tension that is characteristic of the artist. This mastery in color management not only underlines the physiology of animals, but also allows an almost allegorical perception of freedom and instinct.

In the field of representation, "the greyhounds" is remarkable for its absence of human figures, covering the land of animal painting with an evocation of vital energy and a suggestion of movement and elegance. This decision to focus attention on greyhound pointing to a transition towards modernity in art.

It is important to mention that Amadeo de Souza-Cardoso, although born in Portugal, had a significant existence in France, where he soaked from the most avant-garde currents of his time. This is evidenced not only in "the greyhounds" but in its work body in its entirety, where each painting It seems to be a reflection of the dialogue between tradition and modernity. His style, being a crucial part of modernism, made him a precursor in the search for an authentic voice within the international artistic context.

"The greyhounds", being one of their most prominent works, allows viewers to explore the fusion of life, art and technique in a single canvas. The work not only reflects its technical ability and its understanding of form and color, but also marks a milestone in the artistic evolution of an era that struggled to redefine the art of ways that resonated deeply in the human soul. This painting, therefore, not only tells us about greyhounds itself, but also becomes a bridge to the rich and complex narrative of art history in the transition to modernism.

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