Description
The painting "Landscape made of wood" of 1918, the work of the Swiss artist-French Felix Vallotton, is a composition that exudes a sense of serenity and introspection, typical of the end of the artist's career. Vallotton, known for his participation in the Nabis movement and his xylography skill, channels in this work a unique vision of the landscape.
The work reveals a landscape scene with a compositional structure that, at first glance, may seem simple, but is based on a meticulous deliberation. The painting is characterized by defined lines and color areas that are carefully delimited, which gives it an almost geometric aspect that remembers the influence of their work as a recorder. The use of color is particularly remarkable; Vallotton uses a warm and terrible palette that evokes an autumnal atmosphere. The nuances vary between tonalities of brown, ocher and green off, which gives the landscape a feeling of stillness and permanence.
Unlike some of his previous works, in this painting Vallotton chooses to dispense with the human figure, focusing exclusively on natural elements. This departure from the traditional humanism of academic painters allows it to emphasize the purity of the landscape and its potential to communicate feelings through shapes and colors. The trees in the composition are of an austere verticality, and stand out for their dark trunk and their foliage of warm tones, which seems almost suspended in the air, creating a strong contrast to the lighter appearance ground.
The work "Landscape conducted in wood" can also be interpreted as a study of textures and materials, perhaps suggesting the influence of your experience with wood engravings. The way in which surfaces and visible texture are built in each element allows a deeper appreciation of its technical and artistic ability. The texture of the soil and leaves is distinguished by its visual touch, an achievement that denotes its mastery in the management of painting.
It is also significant to consider the historical moment in which this work was created. It was the year 1918, and the world was on the edge of the end of World War I. In that context, Vallotton's choice of representing a landscape, instead of some aspect of the devastation of war, can be read as a longing for peace and a return to nature as refuge and reconnection with the essentially human and universal.
In summary, "landscape made of wood" is a work that encapsulates Félix Vallotton's ability to transform a simple landscape into a deep visual meditation, using its characteristic defined style and its delicate chromatic palette. The painting not only reflects Vallotton's unique artistic vision, but also offers a look at the emotional and philosophical state of an artist in tumultuous times.
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