Flying to Earth from distance - 1920


Size (cm): 55x75
Price:
Sale price£204 GBP

Description

The Lissitzky, a pioneer of constructivism and geometric abstraction, presents an evocative and visionary work in "flying to earth from distance" (1920). Often wrapped in three -dimensional exploration and the relationship between form and space, Lissitzky manages to capture in this painting the very essence of its time, a period loaded with social and technological changes.

"Flying to earth from distance" is not only a work of art, but a statement about modernity. The piece is composed of a series of geometric shapes that seem to float and move in an indeterminate space, which reminds us of the anxieties and hopes of the interwar period. In the upper left quadrant, a black circle stands out on the white background, perhaps evoking the idea of ​​a heavenly body or a flying object. This circle is the visual anchor of the piece, around which other smaller shapes orbit, some in gray tones and others in more intense colors such as red.

The use of primary colors and neutral tones is characteristic of Lissitzky's style and constructivism in general, where the purity of shape and color seeks to represent a social and aesthetic utopia. Here, red could symbolize energy and revolution, recurring issues in the context of the Soviet Russia of the time. The straight lines and curves that intersect suggest movement and dynamism, reminding us that we are facing a work that also dialogues with the arrival of the airplane and advances in technology and space trips.

The absence of human characters in the work reinforces the idea of ​​an abstract and modernist landscape, where humanity is represented through its technological creations and aspirations. This approach to abstraction allows the audience to reflect on the impact of industrialization and mechanization, issues equally present in constructivism.

It is important to highlight the influence of Kazimir Malevich and suprematism in the artistic development of Lissitzky. Both shared an interest in reducing form to their essential elements: line, color, and geometry. "Flying to Earth from distance" can be seen as an extension of these ideas, but with a more specific approach in the interrelation of forms and space.

The work can also be connected with other significant pieces of Lissitzky, such as "Proun", a series of works that explore the three -dimensional environment from two -dimensional compositions. In this sense, "flying to earth from distance" acts as a bridge between painting and architecture, another discipline where Lissitzky left an indelible mark.

In summary, "flying to earth from distance" is a multifaceted work that manages to encapsulate a moment of transition and hope in the history of humanity. Through a meticulous and abstract visual language, the Lissitzky invites the viewer to reexamine their relationship with space and form, offering a vision that remains relevant and provocative more than a century after its creation.

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