Description
In 1915, Kazimir Malevich presented a work that, along with his recognized "black square", would mark a milestone in the history of abstract art: "Plaza Negra and Plaza Roja". This painting, in its apparent simplicity, encapsulates the very essence of suprematism, movement that Malevich founded and that would try to explore spirituality and perception through pure geometric shapes and basic colors, without any reference to the physical world.
The composition of "Plaza Negra and Plaza Roja" is of a deliberate austerity. On a uniform white background, Malevich has two quadrilaterals: one black and one red. The black square, located in the upper left, seems to float calmly, while the red square, slightly displaced towards the lower right corner, offers a dynamic and energetic contrast. This visual interaction between the two squares urges the viewer to investigate and question the relationships between the forms, spaces and the absence of traditional objective references.
Malevich does not introduce characters in this work, since its purpose is to shed any figurative element and concentrate on the purity of perception. This aligns with its artistic search that aims to transcend objective nature to discover a supreme and universal reality. Thus, the white background becomes an infinite space, a kind of cosmic vacuum where geometric shapes reign with autonomy.
The color has in this work a fundamental relevance. Black and red not only contrast each other, but also dialogue with the white background, creating a space of tension and balance. These primary colors have been selected precisely to evoke emotions and moods. Black, often associated with the end or with an unfathomable depth, is found in a silent dialogue with red, color of passion, vitality and, in specific contexts of the socialist ideology, of the revolution.
"Plaza Negra and Plaza Roja" is more than an investigation into the shape and color; It is a philosophical and artistic statement. In a historical moment where the world was immersed in World War I and the Russian revolution was on the horizon, Malevich's work invites a deep reflection on chaos and universality. Through a composition that might seem simple, the artist delivers a sophisticated meditation on the existence, perception and function of art in times of radical change.
When analyzing this work, it is essential to place it within the context of suprematism, a movement that Malevich described as the supremacy of pure sensitivity in art. This movement wanted to break with the past and propose a new way of seeing the world, one that escaped the imitation of nature and embrace total abstraction. Compared to other pieces of Malevich, such as its iconic "Square Negro", "Plaza Negra and Plaza Roja" enhances its theory through the interaction of multiple shapes instead of a single symbol.
In summary, "Plaza Negra and Plaza Roja" by Kazimir Malevich is a work that challenges the traditional understanding of art and representation. In its simplicity, it finds a depth that invites contemplation and personal interpretation, establishing a space where geometry and color become carriers of meanings beyond the visible. This piece, within the corpus of suprematism, not only redefines the limits of abstract art, but also offers a window to the spiritual and philosophical concerns of its creator.
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