Antverpia Pictorum Nutrix

size(cm): 50x115
Sale price£279 GBP


The painting Antverpia Pictorum Nutrix, created by the Flemish artist Theodor Boeyermans, is an impressive work that stands out for its large original size of 188 x 454 cm. This masterpiece is one of the most important in the collection of the Museum of Fine Arts in Antwerp, Belgium.

The most interesting thing about this painting is its artistic style, which combines elements of the Flemish Baroque with classicism. The composition is complex and detailed, with a large number of characters representing the artists of the city of Antwerp in the 17th century. The main scene shows the goddess Ceres, protector of the arts, giving a laurel wreath to the city of Antwerp, represented by a woman dressed in the colors of the city.

The coloring of the work is impressive, with a rich and vibrant palette that includes shades of gold, red, blue and green. The details and texture of the painting are incredibly precise, giving a sense of depth and realism to the work.

The history of the painting is also fascinating. It was commissioned by the Corporation of Saint Luke, the Antwerp artists' association, to decorate their meeting room. The work took four years to complete and was first exhibited in 1665. Since then, it has been considered one of the most important masterpieces of Flemish painting.

Also, there are little-known aspects about this painting that make it even more interesting. For example, it is known that Boeyermans was inspired by the work of the Italian artist Guido Reni to create the figure of Ceres. It has also been suggested that some of the characters in the painting may be portraits of important artists and personalities of the time.

In short, the painting Antverpia Pictorum Nutrix by Theodor Boeyermans is an impressive work of art that stands out for its artistic style, composition, coloring, and precise detail. Its little-known history and aspects make it even more fascinating and make it one of the most important masterpieces of Flemish painting.

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