View of the coastal city in the afternoon with a lighthouse - 1870


Size (cm): 75x50
Price:
Sale price€242,95 EUR

Description

Ivan Aivazovsky, a master Undisutable of marine romanticism, it offers us a window to the emotions of the sea and the light in his work of the coastal city in the afternoon with a lighthouse (1870). This oil on canvas encapsulates the technical master and the deep sensitivity of Aivazovsky towards the marine elements, distinctions that consolidate it as one of the most famous marine painters of the nineteenth century.

The painting shows a coastal scene at sunset, dominated by the imposing presence of a lighthouse. The sunset bathes the horizon in a spectrum of warm tones ranging from orange to the pink, reflecting in the soft waves that kiss the coast. Aivazovsky's skill to capture light and its interaction with water is evident here; Its almost transparent technique allows the viewer to feel the calm and mystery of the twilight hour.

In the foreground, we observed a boat resting on the shore, almost hugged by the low tide. This element adds a human dimension to the scene. The absence of human figures in painting enhances the sensation of loneliness and serenity inherent to the twilight vision of the coastal people, a silent testimony of the passage of time and the constant rhythm of nature.

The lighthouse, a high and thin structure, stands like a guardian, symbolizing security and hope in the middle of the vastness of the ocean. The composition stands out for its balance between heaven, sea and earth, creating a feeling of harmony and continuity. The coastal city in the background, with its buildings bathed in the dim light of the afternoon, provides a perspective of depth and distance that suggests a subtle connection between man and nature.

Aivazovsky's romanticism manifests itself not only in its theme, but also in its technique. Its brushstroke is fluid, almost ethereal, capable of capturing the mutable essence of water and light with a precision that seems to challenge the rigidity of the pictorial environment. The colors that choose, predominantly warm and golden in contrast to the cold tones of the sea, evoke an atmosphere of nostalgia and admiration for the greatness of nature.

Throughout his career, Aivazovsky painted numerous marine that capture different moods of the sea, from fierce storms to quiet sunrises. Works such as "The Ninth Ola" (1850) and "The Shipwreck" (1864) highlight their ability to represent the drama of the ocean in different circumstances. Aivazovsky's dedication to the sea not only came from his pictorial mastery but also his personal bond with the Black Sea, near which he grew up in Feodosia, Crimea.

View of the coastal city in the afternoon with a lighthouse is a visual meditation on the tranquility and constancy of the marine landscape. Aivazovsky gives us, through this work, an invitation to contemplate the sublime intersection between the waning day light and the eternal beat of the ocean, an almost spiritual experience that continues to resonate more than a century after its creation.

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