Supreme composition. White blank. (Feeling of fading.) - 1927


Size (cm): 55x75
Price:
Sale price€250,95 EUR

Description

Kazimir Malevich, one of the pioneers of the abstract art of the twentieth century, gives us in "supreme composition. White blank (sensation of fading.)" A work that turns out to be a visual manifesto of the essence of suprematism. Created in 1927, this painting embodies the fundamental principles of an artistic movement that redefines the canons of pictorial representation by focusing on geometric and chromatic purity.

When observing "suprematist composition. White blank", one cannot avoid feeling an evocation of immensity and vacuum, achieved by intertwined interaction of geometric plans. This work, visually intricate but conceptually simple, presents a white background on which a smaller, distant and almost ethereal white square moves in its form and composition. This square, suspended in an indefinite space, suggests a gradual disappearance, a fading that exemplifies Malevich's intention to explore concepts of perception and the disappearance of the physical object.

Malevich, with this piece, pushes the concept of "abandonment of the object", a central idea for suprematism. The use of white on white is not merely an aesthetic choice; It is a statement. The white background symbolizes the totality, the infinity, while the lower white square adds a dimension of depth and spirituality. In the convergence of white, we find a paradox: we see and do not see, there is presence and absence, the material and the immaterial merge.

The "feeling of fading" that the title of the work suggests is not only a word game, but an essential interpretive key. Malevich, in his search to represent something beyond tangible reality, introduces us to a contemplation space. The interaction of white tones is so subtle that texture acquires prominence, allowing the surface of the painting to become a dynamic field of visual forces.

The influence of Malevich and suprematism permeates in the artistic currents of the twentieth and twenty -first century. Its ability to reduce the form and color to its most elementary components inspired not only its contemporaries but also to future generations of abstract, minimalist and conceptual artists. Works such as "Black Square" of 1915, also from Malevich, or the works of contemporary artists such as Ad Reinhardt, show a clear continuity in this exploration of reduction and essence.

"Supreme composition. White blank" is, in its minimalism, a monument to unlimited creativity of artistic thinking. By shedding the superfluous, Malevich invites the viewer to reconsider what is essential in art and human perception. This painting is a powerful reminder that, even in the apparent simplicity, an overwhelming complexity can reside. Here, in this game of whites and pure geometries, resides the malevich genius spark, an imperishable testimony of the infinite potential of abstract art.

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