MEXICO VALLEY FROM THE CERRO DE SANTA ISABEL - 1883


Size (cm): 75x50
Price:
Sale price€241,95 EUR

Description

José María Velasco, one of the greatest exponents of the Mexican landscape of the nineteenth, offers us in his work "Valle de México from the hill of Santa Isabel - 1883" a visual experience that transcends the merely pictorial to become a celebration of beauty Natural and cultural of Mexico. This painting, That captures a panoramic view of the Valley of Mexico from a high point, is a masterful example of how art can serve as a bridge between nature and human expression.

The composition of the work is meticulously planned. From the height of Santa Isabel, Velasco presents a vast panorama in which mountains and volcanoes such as Popocatepetl and Iztaccíhuatl, emblematic of Mexican geography are displayed. The perspective is impressive; The painter achieves a depth that invites the viewer to enter the landscape. The soft hills that descend to the valley display a rich variety of green tones that intertwine with the ocher and brown of the earth, showing the biodiversity and fertility of the region.

The use of color is fundamental in this work. Velasco handles a palette that oscillates between the exuberant greenery of the vegetation and the blue tones of the sky, creating a vibrant contrast that remembers the luminosity of the Mexican landscape. The light plays a crucial role, since the painter captures the essence of the day, perhaps in a dawn or a sunset, through a skillful management of the shadows and the lights that provide volume to the mountains and the vegetation. This technique not only gives realism, but also adds an almost poetic dimension to the scene, evoking a sense of peace and contemplation.

As for the human presence, Velasco moves away from the explicit inclusion of figures. While the landscape may seem empty in terms of human activity, it is precisely this absence that highlights the greatness of nature. On the horizon you can see tiny factories and villages, icons of the industrialization of the time, but the viewer's attention focuses, rather than man, on the magnificence of the environment. This approach reflects a tendency in romanticism, where nature stands as the protagonist and man, although present, feels ínfimo before his immensity.

Velasco's style is framed within academicism, particularly realism, which seeks to portray nature in a faithful and detailed way. His work turns out to be an amalgam of scientific knowledge and a deep emotional connection with the landscape. Through its brushstrokes, it manages to encapsulate a moment in the history of Mexico, where the native traditions and European influences coexist in a state of visual harmony.

"Valley of Mexico from the hill of Santa Isabel" is not only a landscape. It is a testimony of the love for the land we inhabit, an invitation to see the beauty inherent in the daily life and diversity of Mexican geography. Velasco, capturing this vision, reminds us that art has the power to reveal not only what we see, but what we feel in our relationship with the environment. This work remains a milestone in Mexican painting, a legacy that invites us to admire and preserve the wealth of our nature, raising the landscape painting to its maximum expression.

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