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Fujishima Takeji's Morning Glory (1904) is a splendid example of the style and artistic sensibility of early 20th-century modern Japan. This outstanding Japanese painter, who was instrumental in introducing the Western style to Japanese painting, achieves in this work a subtle fusion of traditions that are manifested in a work rich in color and detail.
Looking closely at the composition, we are presented with two female figures standing out in a natural setting that seems to resonate with the early hours of the day. The women, dressed in ornate kimonos, evoke a sense of elegance and grace. The choice of clothing is revealing; the floral patterns on their kimonos seem to be in complete dialogue with the glorious morning glory flowers that throw their colour towards the viewer. This interconnection between human figures and the natural world is a key point in Fujishima’s work, who often explored the relationship between feminine beauty and nature in her works.
Color is a vital element in Morning Glory, where the vibrant palette includes deep blues and cool greens, accented by the warmth of pinks and yellows that represent the morning glory flowers. The soft light of dawn creeps into the work, creating an almost ethereal atmosphere and suggesting a moment of serenity and contemplation. This lighting technique reflects the influence of Impressionism, a movement that captivated Fujishima and is evident in his ability to capture subtle changes in natural light.
In addition to the choice of compositions and colors, it is important to note Fujishima’s skill in portraying textures. The details in the kimonos, the delicate flowers, and the surroundings are executed with a mastery that reveals a dedication to realism that coexisted with his admiration for ornamental beauty. The balance between the stylized and the realistic could be seen as a reflection of Fujishima’s quest to find a place in a rapidly modernizing world, where the ancient values of Japanese aesthetics were combined with emerging Western influences.
"Morning Glory" is not only a testament to Fujishima's individual talent, but also to a time of cultural transition, where Japanese art was beginning to embrace new forms and styles, while preserving its rich heritage. Its relevance is undeniable within the context of Nihonga painting, which was created as a response to Western influences, while holding on to traditional aspects. This work is a brilliant example that encapsulates both the visual beauty and cultural complexity of Fujishima's time.
In short, Morning Glory is a work that invites the viewer to reflect on the harmony between humanity and nature, highlighting Fujishima's technical and conceptual expertise. Its ability to invoke a sense of peace, beauty and connection through art makes it an enduring classic that deserves to be contemplated and appreciated in the context of Japanese art history.
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