34. Night View of Matsuchiyama and the San'Ya Canal - 1857


Storlek (cm): 50x75
Pris:
Försäljningspris€219,95 EUR

Beskrivning

Utagawa Hiroshige’s 1857 painting “Night View of Matsuchiyama and the San’ya Canal” stands as a striking example of the mastery of ukiyo-e printmaking, a graphic art form that flourished in Japan during the Edo period. Hiroshige, whose work is deeply imbued with a sense of landscape and atmosphere, offers in this painting a serene and vivid depiction of the natural and urban environment that characterized life in Edo, present-day Tokyo.

In the composition, the night scene is rendered with palpable delicacy. The soft gradient of colors, ranging from the deep blue of the night sky to the subtle glow of the lights of houses and boats, induces a sense of calm and mystery. Hiroshige achieves this effect through his skillful use of the dyeing technique, allowing him to create a rich palette evoking moonlight along with artificial lights flickering in the distance. The houses arranged along the canal bank and the trees atop Matsuchiyama Hill become delicate silhouettes that sweep across the landscape, creating a fascinating contrast between the urban and the natural.

The elements of the work are arranged in a way that guides the viewer’s eye through the image. From the calm surface of the canal, where the lights are subtly reflected, to the almost mystical presence of Mount Matsuchiyama in the background, the structure of the painting becomes a visual journey that invites contemplation. The choice to include the San’ya Canal, which was an important transportation route, not only gave the work a sense of historical context, but also reflects the connection between man and nature in daily life in Edo.

Although there are no prominent human characters in the scene, the implication of nightlife is felt through the boats floating in the canal, hinting at the activity of fishermen or travelers. This focus on the absence of the direct human figure, common in Hiroshige’s work, resonates with the Japanese philosophy of “mono no aware,” which evokes a deep appreciation for the ephemeral beauty of life and nature.

Hiroshige is distinguished by his ability to capture the atmosphere of moments: here, he presents the night as a space of tranquility and reflection, in contrast to the daytime bustle of the city. His way of translating light and shadow into the night landscape becomes a testament to his technical mastery and innovative artistic approach. This work, like many of his creations, not only functions as a visual document of a specific time and place, but also offers a meditation on the passage of time and man’s place in nature.

“Night View of Matsuchiyama and the San’ya Canal” is not only representative of Hiroshige’s exceptional talent, but also falls within a rich tradition of printmaking that captures the essence of everyday Japanese life. His sensitivity to the effects of light and his ability to create poignant landscapes ensure that this work remains an enduring example of the beauty of ukiyo-e, celebrating the interrelationship between landscape and humanity. In Hiroshige’s vast repertoire, this particular work stands out, enveloping the viewer in an atmosphere of peace and contemplation that transcends time and space.

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