The Old Woman with a Mirror - 1828


Size (cm): 60x75
ืžื—ื™ืจ:
ืžื—ื™ืจ ืžื‘ืฆืขยฃ211 GBP

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Francisco Goya's painting "The Old Woman with a Mirror", created in 1828, offers a penetrating look at the human condition and the fleeting nature of time, recurring themes in the Aragonese master's work. This oil on canvas depicts an old woman holding a mirror in her hand, while she looks at her own reflection with an expression that can be interpreted as a mix of admiration and disdain. Goya, known for his sharp social criticism and his exploration of the dark side of human nature, uses this work to delve into the psyche of old age and vanity.

Compositionally, the work stands out for its simplicity and its direct focus on the central figure. The old woman occupies the central place in the painting, surrounded by a dark background that highlights her figure, illuminating her in contrast. This use of contrast between light and shadow, typical of the tenebrist style that Goya had adopted in several of his works, intensifies the subject's sense of isolation and magnifies the reverberation of her introspection. The hand holding the mirror seems to symbolize not only an act of self-control, but also the inescapable humility of the passing of time.

Colour plays a crucial role in the execution of the piece. Goya employs a predominantly dark palette โ€“ brown and grey tones dominate the background โ€“ accentuating the old womanโ€™s blurred face. Her wrinkled skin, tactile and full of life, is visually contrasted by the mirror, which shines with subtle reflections that capture the light. This not only directs the viewerโ€™s attention to the old woman and her reflection, but also provokes a reflection on the meaning of ageing and ephemeral beauty that translates into a kind of internal dialogue.

It is worth noting that this work falls within Goya's late period, when his style had evolved towards a more personal approach and a looser technique, often reflecting his emotional and physical state in a context of increasing disillusionment and illness. During these years, Goya was immersed in a crisis that, far from limiting his creativity, seemed to enrich it with an unusual psychological depth.

The figure of the old woman, already a symbol of human vulnerability, reveals Goya's concerns about society's perception of old age. The mirror, traditionally symbolic of truth and self-assessment, here becomes an ambivalent element that challenges notions of self-image, revealing a stark truth about mortality. In his meditation on lost beauty, Goya invites the viewer to join in this contemplation of vulnerability and the inevitability of the passage of time.

In conclusion, "The Old Woman with a Mirror" is not only a representation of old age, but a profound emotional study that contains within itself the concerns about identity and the passage of time. Goya's technical mastery and his ability to capture the essence of the human being in a static image are, without a doubt, the legacy that has endured and resonated throughout the centuries. In this work, the insignificance of everyday details becomes a mirror of the transcendental realities of existence.

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