Pots and Ramos - 1886

Paul Gauguin's painting "Pots and Bouquets" (1886) is an emblematic example of the artist's evolution towards symbolism and experimentation with form and colour. In this painting, Gauguin displays a rich diversity of elements that invite a deep contemplation of the relationships between the objects depicted and the underlying meanings that can be evoked from them. This work falls within Gauguin's early production, a period marked by his search for styles that departed from the naturalism to which he had initially conformed.

The composition of "Pots and Bouquets" is intriguing: in the foreground, the shapes of the containers predominate alongside bouquets of flowers, which gives a sense of depth and intimacy at the same time. The arrangement of the elements is meticulously studied. The vibrant colors—yellows, greens and blues—combine to create an almost ornamental effect where the nature of the pots and bouquets is transformed into a chromatic dance. The pots, which have curvilinear contours, contrast strongly with the more organic lines of the flowers, suggesting a tension between the artificial and the natural.

The colours in “Pots and Bouquets” become a language of their own. The rich, contrasting palette is characteristic of the post-impressionist style developed by Gauguin, who deliberately moved away from the conventional light levels of Impressionism to explore the emotional and expressive aspects of colour. The earthy tones of the pots give way to the lively freshness of the flowers, which seem to burst from the canvas, each one assumed in its singularity, but also as part of a larger whole that transcends mere representation.

On a thematic level, the absence of human figures suggests a contemplation of the domestic world and the beauty of everyday surroundings, an approach that Gauguin elaborated in several of his later works. However, despite the lack of figures, there is a sense of life in the painting that could allude to the human experience through nature and objects. The inanimate—the pots—and the living—the flowers—create a silent conversation that speaks to the connection between humans and their environment.

This work also offers us a glimpse into the development of Gauguin’s aesthetic, which is influenced by Japanese painting and folk art, elements that the artist cultivated after his stay in Brittany. The simplification of forms and the use of flat colours reveal his inclination towards a more symbolic painting, where the choice of each element is deliberate and charged with meaning. This approach anticipates elements that would be seen in his later works in Tahiti, where the exploration of local culture, identity and symbolism would dominate his production.

Ultimately, “Pots and Bouquets” is a work that not only captures the viewer’s gaze through its aesthetic beauty, but also invites them to reflect on the context in which it is situated and the worldviews that Gauguin was beginning to develop, thereby revealing his essential place within the artistic dialogue of the late 19th century. The painting is not merely a visual record; it is a testimony to the passage of time, to the perception of human space, and to the search for a deeper connection with nature and existence itself.

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