The Breath That Guides All Creatures Is Also In The Spheres - 1882


Taille (cm): 60x75
Prix:
Prix ​​de vente$385.00 CAD

Description

The work "The Breath That Guides All Creatures Is Also In The Spheres" by Odilon Redon, painted in 1882, is a fascinating exercise in symbolism and an exploration of the interconnection between the terrestrial and the celestial that characterizes the artist's work. Redon, who is recognized for his association with symbolism and the use of dreamlike representation, manages in this piece to offer a visual space where the boundaries between reality and dreams are blurred, suggesting an intrinsic relationship between all forms of life and the cosmos.

When looking at the composition, the viewer is presented with a background of dark tones that evoke a deep sense of mystery. The use of color, which oscillates between black, blue and earth tones, creates an atmosphere of introspection and contemplation. At the center of the painting, an ethereal figure seems to emerge, symbolizing the “breath” that gives life. The figure is surrounded by gently floating spheres, suggesting the transition between the physical and spiritual worlds. These spheres can be interpreted as the cycles of life and death, as well as the multiple dimensions of being, evoking the idea that existence is beyond the immediately visible.

The figure, though abstract, invites the viewer to reflect on the connection with the universe. Its representation is tenuous and almost intangible, aligned with the symbolist philosophy that rejects literal representations in favor of what suggests the subconscious. In this work, Redon uses an aesthetic that floats between the palpable and the ethereal, a distinctive feature of his artistic approach.

In the context of the work, it should be noted that Redon often addressed the duality of life and death, including elements of nature as well as beings of his own invention. While this particular painting does not feature any discernible human characters or animal life forms, the focus lies rather on the universality of “breath,” representing the vital essence that connects us all, like an invisible thread that links humanity to the cosmos.

The work also reflects Redon's interest in the symbolism of light, which is palpable in the contrast between the luminous spheres and the dark background, implying that truth and beauty emerge from darkness. This play of light and shadow is a fundamental aspect that challenges the viewer to search for meaning beyond the surface.

It is also important to place Redon in his historical context, participating in an artistic movement that sought to explore the sublime and the transcendental. His influence extends to other contemporary and later artists who were also drawn to symbolism, including artists of the surrealist movement who struggled to give voice to the ineffable and the mysterious.

"The Breath That Guides All Creatures Is Also in the Spheres" not only stands as a representative piece of late 19th-century symbolism, but can also be understood as a meditation on the nature of existence itself. With its rich, dark color palette and invocation of the cosmic, Redon invites the viewer to contemplate the sense of belonging in a vast, interconnected universe, thereby achieving a resonance that transcends time and space.

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