Susana and the Elders


size(cm): 45x65
Price:
Sale price$223.00 USD

Description

Jacopo Bassano's painting Susanna and the Elders is an Italian Renaissance masterpiece dating from the 16th century and currently in the National Gallery, London. This work of art is a stunning example of the artistic style of the time, which was characterized by attention to detail and precision in the representation of the human figure.

The composition of the painting is very interesting, as it presents Susanna, a biblical woman, surrounded by two old men who are stalking her. Susanna's figure is situated in the center of the painting, making her the focal point of the work. The two old men are depicted in a lower plane, making them appear smaller and less important than Susanna.

Color is another remarkable aspect of this painting. The warm, earthy tones of Susanna's skin contrast with the cooler, darker tones of the elders' clothing. In addition, the gold details on Susanna's tunic and on the edges of the elders' clothing add a touch of luxury and elegance to the work.

The story behind the painting is also fascinating. The story of Susanna and the old men is a biblical story that tells how two old men tried to seduce Susanna while she was bathing in a garden. Bassano's painting represents the moment when the old men corner and harass her, but Susanna resists and fights for her dignity and honor.

A little-known aspect of this painting is that it was commissioned by an art collector named Francesco Contarini, who acquired it in 1555. Contarini was a patron of the arts and a passionate collector of Renaissance paintings. It is known that he also commissioned works from other important artists of the time, such as Titian and Veronese.

In conclusion, the painting Susanna and the Elders by Jacopo Bassano is an impressive work of art that combines a precise and detailed artistic style with an interesting composition and a fascinating history. Its rich color palette and gold details make it a work of great beauty and artistic value.

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