Description
In the vast panoramic art of the early twentieth century, the work "Supremeism - 1915" by Kazimir Malevich stands as an essential pillar in the understanding of the evolution of abstraction. Malevich, the visionary Russian artist, establishes with this painting a radically new paradigm, suprematism, which prioritizes the supremacy of pure sensation in art on the representation of objective reality. Through this work, it is demonstrated how Malevich manages to encapsulate a deep aesthetic philosophy in a rigorously abstract composition.
The painting "Suprematism - 1915" is an iconic example of this movement, presenting a set of basic geometric shapes arranged in a two -dimensional field. When observing the work, multiple rectangles and lines are perceived, apparently arranged without a conventional order, but which as a whole achieve a dynamic balance. The juxtaposition of black rectangles, brown, blue and yellow against the white background creates a visual tension that invites the viewer to meditate on spatial relationships and chromatic interaction.
In color terms, Malevich adopts a restricted but effective palette. The dark tones of the black and brown rectangles contrast markedly with the most vivid colors such as blue and yellow. This dichotomy in colors emphasizes autonomy in each form, splitting any link with naturalness or tangible world. The choice of white as a background is not accidental; For Malevich, the target represents the "vegetable vertex", a space of infinite possibility where geometric shapes float free of the obligation to symbolize real world objects.
It is also crucial to notice the total absence of human figures or traditional elements in this composition. Malevich Reniega of anthropomorphic or naturalistic representation in favor of a purely abstract aesthetic experience. This complete abstraction is a manifesto in itself; It is a frontal rejection of the conventions that until then had issued artistic practice. Upon distilling artistic experience to its most essential elements, Malevich seeks a direct connection with the primary feeling that, according to him, underlies all perceptible forms.
Supreme, in this sense, is distinguished from other contemporary currents such as Cubism or Futurism. While the latter also explored the fragmentation and reconstruction of the form, Malevich goes one step further by abandoning any reference to the structure of the visible world. Instead of deconstructing reality, it is completely obvious, proposing an art that does not imitate, but exists autonomously.
"Supremeism - 1915" must be seen not only as a painting, but as a philosophical and artistic statement. In Malevich's words, suprematism seeks "the supremacy of pure feeling in art." In its rigorous geometric structure and its deliberate use of color, this work challenges the observer to rethink the essence of aesthetic experience, freeing it from the shackles of representation and leading it to a new kingdom of pure perception.
Kazimir Malevich, through works such as "Supremeism - 1915", offers us a window to a universe where art becomes a language of primary shapes and colors, inviting us to explore a land where each shape and each color are carriers of a Intrinsic meaning, free of the bonds of the material world. In this sense, Malevich's work is not only a visual construction, but a revolutionary act that has left an indelible imprint on the history of modern art.
KUADROS ©, a famous paint on your wall.
Hand-made oil painting reproductions, with the quality of professional artists and the distinctive seal of KUADROS ©.
Art reproduction service with satisfaction guarantee. If you are not completely satisfied with the replica of your painting, we refund your money 100%.