Suprematist composition (feeling of the current. Telegraphy.) - 1927


Size (cm): 55x75
Price:
Sale price$269.00 USD

Description

Kazimir Malevich, one of the most influential figures in the abstract art of the twentieth century, presents us in his work "Supreme composition (feeling of the current. Telegraphy.)" From 1927 an almost metaphysical exploration of color and shape. In this painting, so characteristic of suprematism, Malevich abandons any reference to literal representation and invites us to immerse ourselves in a world where pure chromatic and geometric sensitivity is the protagonist.

By carefully observing this composition, the coherence and internal balance that support the work is evident. Rectangular and linear geometric elements float in an indefinite space on a white background. The forms seem to dialogue with each other with an almost musical dynamic, transmitting a sense of movement that could well emulate the flow of the electric current or the telegraph signs, simultaneously suggesting modernity and abstraction.

The color palette used by Malevich in this painting is both simple and sophisticated. Using mainly tones of red, yellow, blue and black, it achieves tension and harmony that capture the attention of the observer. The contrast between the primary colors and the white background highlights each geometric shape, accentuating the purity and simplicity that Malevich defended in his suprematist theory. Through these basic colors and the absence of shadows or tonal gradations, the work manifests itself as a testimony of the search for the absolute in art.

In Malevich's suprematist universe, there is no place for traditional characters or narratives. The absence of human figures or any reference collected to the natural world is deliberate. The painter forces us to confront painting for what it is: an autonomous composition of shapes and colors, a visual structure without other intention than expressing the supremacy of pure feeling. This is perhaps what Malevich tried to capture with the title "Feeling of the current. Telegraph .

The suprematism, a movement founded by Kazimir Malevich, was characterized by the rejection of traditional pictorial representations and the introduction of an artistic language based exclusively on simple geometric shapes and primary colors. Supreme composition (feeling of the current. Telegraphy.) It is one of the emblematic works of this current and impeccably reflects these principles. The work also reminds us of art connection with the technological advances of its time, where telegraphy represented a milestone in human communication, perhaps suggesting a parallel between the immediacy of telegraphy and the visual clarity of suprematism.

While the specific information about this painting can be scarce, the work itself is a faithful reflection of Malevich's artistic interests and objectives. It is a testimony of his search to express the universal through the purest of abstractions. Ultimately, "suprematist composition (feeling of the current. Telegraph .

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