Description
Kazimir Malevich, a monumental figure in the history of the art of the twentieth century, is positioned as a driving force behind suprematism, a movement that advocates the supremacy of pure sensitivity in abstract art. However, before completely entering the abstract and geometric field, Malevich explored a variety of styles and approaches. "Lumberjack", painted in 1913, is a piece that not only documes its transition period but also its deep relationship with shape and color.
"Lumberjack" represents a man with an ax, located in an environment that suggests a rural landscape. The central figure stands out, not only because of its size but by the vivid palette, red, yellow, white and black tones predominate. The contrast between these colors encourages the figure, providing it with an almost sculptural energy. There is a stratification of plans that reminds of Cubist techniques, where Malevich breaks down the anatomy of the lumberjack and the environment in simplified geometric shapes. The lumberjack's silhouette is resounding and robust, with clear and defined lines that reinforce their stature and physical strength.
Malevich was aware of the symbolic power of human figures in art. The lumberjack, as a subject, is related to the life of the peasantry and manual work, fundamental elements in pre-refolutionary Russia. However, Malevich does not seek to present reality in a photographic way; His intention is rather to capture the essence, energy and dynamism of his subject. The geometric structure of the work anticipates its evolution towards suprematism, where there are no longer figurative representations but exclusively abstract representations that seek to evoke a pure emotional response.
In "lumberjack", the background is not a mere accompaniment to the central figure. The colors of the landscape are equally vibrant and important. Trees and soils are shown through geometric shapes that complement each other and contrast with the lumberjack figure. These forms help integrate the character into their environment, while reinforcing the idea of a universe built from essential and almost primitive components.
The use of red, yellow and blue primary colors along with white and black, is significant. Not only do they add dynamism to the composition, but also reflect a pure palette, without mixtures, which is a key characteristic of suprematism. This implies that Malevich was already experiencing with these principles even before formalizing his artistic manifesto.
Compared to other subsequent Malevich works such as "Black Square" or "Supreme Composition", "lumberjack" offers an interesting vision of its creative process. It is a beacon that marks its transition from figurative symbolism to absolute abstraction. Through this work, we observe not only the artistic evolution of Malevich but also the cultural and social energy of its time, mediated through its innovative approach to color and shape.
By observing "lumberjack", one can feel the tension between the old and the new, the traditional and the modern. Malevich manages to encapsulate an era of change and transformation in an image that, despite its apparent simplicity, offers a conceptual and visual depth that continues to resonate over time. This painting is, ultimately, a testimony of Malevich's audacity and its ability to reimagine not only art, but the way we perceive the world around us.
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