Size (cm): 75x45
Price:
Sale price$240.00 USD

Description

Ferdinand Hodler, one of the masters More iconic of Swiss symbolism, offers us with "sleep" a window to its disturbing and magnificent dream vision. This painting, whose creation is part of around 1897, is a clear testimony of its ability to translate into images the mysticism and human introspection, characteristics that abound in their symbolic works.

In "Dream", Hodler presents a group of human figures reclined in an ethereal environment. A total of four women lie in what seems to be a surreal meadow. The repetition and alignment of the bare bodies in the fabric is a clear evocation of Hodler's style, known for his search for harmony and rhythm in the composition. These figures are wrapped in an air of serenity and reverie, their bodies languish fluidly, almost imitating the nature that surrounds them. The painter shows a clear intentionality in the arrangement of the figures, generating a sense of connection and continuity through their almost identical positions.

Color treatment is another essential aspect of "sleep." Hodler uses a palette of soft and somewhat turned off tones, where the colors Earth ground delicately contrast with the pale tones of women's skin. The light blue sky and the celaure in the background transmit an atmosphere of calm and calm that complements the state of drowsiness of the characters. This chromatic management, in addition to underlining the symbolic intention of the work, results in a sense of unity and visual cohesion.

An additional detail worth mentioning is the way in which Hodler simplifies the lines and shapes, following its characteristic style that seeks essentiality and avoids ornamental redundancy. The figures lack detailed facial features, which universalizes their expressions and feelings, allowing the observer to project their own emotions and moods on the scene. This resonates with one of the recurring premises of symbolism, which is to explore the inner world and the subjective states of the human mind.

Although "dream" is not as famous as some other of his works, such as "the night" or "the Eurythmie", it is a piece that encapsulates many of the values ​​and techniques that defined Hodler's career. His approach to the issues of introspection, rhythmic repetition and his particular use of symbolism position him as an unavoidable reference in the nineteenth -century to the 20th century transition, where artistic currents sought more and more to break with conventions and enter more land on land abstract and mystical.

Ferdinand Hodler, throughout his prolific career, not only captured the collective imaginary of his time, but also left a enduring imprint in art history, marked by his unique gaze and his ability to transcend the visible. "Dream" is undoubtedly a genuine expression of this ability, an invitation to immerse itself in the internal world, where reality is diluted and gives way to the dominance of dreams.

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