Composition with red, yellow and blue - 1922


Size (cm): 75x60
Price:
Sale price$271.00 USD

Description

The work "Composition with red, yellow and blue" by Piet Mondrian, made in 1922, is an emblematic testimony of the evolution of abstract art in the context of the search for aesthetic and spiritual purity. Mondrian, a central figure of the STIJL movement, embraced an aesthetic of simplicity and order, which is reflected in the clarity and precision of the composition. This painting is a clear exponent of its mature style, where the elements are stripped of any unnecessary ornament, seeking the essence of the form through the combination of straight lines and color blocks.

At the compositional level, "composition with red, yellow and blue" is structured from a network of black lines that divide the space into rectangular sections. This provision not only establishes a visual hierarchy, but also suggests an intrinsic balance between the different color blocks. Mondrian opts for a formalistic approach that challenges the conventional perception of pictorial space, promoting a constant dialogue between colorful areas. The use of primary colors red, yellow and blue contrasts with the pure target that surrounds and frames these elements, evidencing the vibrant interaction between the different shades. Each color seems to coexist in a fragile balance, highlighting the idea of ​​harmony that the artist exalted so much.

It is relevant to point out that in this work there are no characters represented or a visual narrator, which is characteristic of the abstract style that Mondrian cultivated. His rejection of representing human figures or natural elements is due to his belief that art should transcend physical reality, seeking a visual language that speaks of spirituality and universal order. The absence of a subject defined in "composition with red, yellow and blue" invites the viewer to experience painting from a personal and emotional perspective, without the distractions that could cause recognizable forms.

Mondrian, influenced by Cubism and the philosophy of neoplasticism, sought through his work a visual representation of truth and justice. The 1922 work is registered within a period in which the artist began to consolidate his distinctive style, taking distance from the figurative representation to enter the field of pure abstraction. Their compositions, with their network of lines and their colors arrangement, evoke a kind of visual grammar that transcends time, allowing the work to dialogue not only with the immediate spectator, but with future generations of artists and art lovers.

The "composition with red, yellow and blue" is not only an object of aesthetic admiration, but also a milestone in the history of modern art. When contemplating this work, one cannot fail to feel the strength of his internal logic and the rigor of his approach. Therefore, it is a paradigmatic example of Mondrian's desire to capture the essence of the world through a visual language that, despite its apparent simplicity, is loaded with a deep complexity and meaning. The work remains an unavoidable reference for those who wish to understand the impact of abstract art on the development of new forms of visual expression in the twentieth century.

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