Description
Kazimir Malevich's "Fields" (Fields) paint invites us to immerse ourselves in a visual experience that, at first glance, might seem misleadingly simple, but that is actually a deep reflection on abstraction and geometry. Malevich, a pioneer of suprematism, presents us in "Campos" an exploration of the possibilities of color and shape.
Observing "Campos", we are received by a set of rectangles and squares that dominate the composition. Completely disregarding human figures or recognizable elements of nature, Malevich focuses exclusively on the purity of forms. They dominate the composition color surfaces that, although reduced to the essentials, generate a fascinating vibration and internal dynamic. The preeminence of blacks, reds and ocher contrasted on a white background offers a look on Malevich's supreme theory, where basic colors and shapes are able to express a new spiritual and aesthetic reality.
It is essential to underline that "Campos" is registered within the artist's maturity period, who at the beginning of the 20th century sought to transcend the limitations of figurative art, freeing him from his mimesis function of immediate reality. The work dispenses with narrative details, inviting us rather to a meditative and deep contemplation. The white space that houses the figures is not just a background; It is an absolute space that presents the purity and clarity of the suprematist "plastic language".
It is also pertinent to mention that the absence of shadows or three -dimensionality in "fields" is a characteristic feature of suprematism. The radical flatness of forms highlights the independence of color and its interaction with the environment. It does not seek to create an illusion of depth, but to confront the very essence of painting as an autonomous object.
Kazimir Malevich, born in 1879 and died in 1935, was one of the most influential artists of the twentieth century. His search for more pure visual language found a particular resonance during the era of Russian avant -garde. When founding suprematism in 1915, Malevich proposed an aesthetic revolution that sought to break with the conventions and constrictions of previous art. Works such as "Black Square" and "Supreme Composition" are other famous manifestations of their style, where the possibilities of color and the form as autonomous expressions of modernity are more deeply explored.
In short, "Campos" of Kazimir Malevich is a painting that challenges and rewards the attentive viewer. Through its geometric shapes and its intense color palette, the work stands as an emblem of the artistic revolution that suprematism supposed. It is an invitation to contemplate, not only with the look but with the spirit, a world reduced to its purest essence, free from the bonds of realistic representation and full of aesthetic and philosophical possibilities.
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