The ham - 1918


Size (cm): 60x75
Price:
Sale price€256,95 EUR

Description

In the painting entitled "The ham" of 1918, Félix Vallotton transports us to a composition where the still life It charges an almost theatrical presence. In this work, Vallotton seems to challenge the apparent simplicity of the genre by imbueing a deep consideration for the form, color and light.

At first glance, the ham undoubtedly occupies the prominence in the scene: a piece of robust meat, placed on a dark background that amplifies its lush pink tone. The choice of a challenging background where brown, black and ocher tones converge, allows the meat not only to shine in its almost fleshy tone, but also seems natural in its placement on the table, endowed with a daily realism that Vallotton handles with great mastery.

Color contrast is one of the most outstanding aspects of the work. The crisp details of the ham, with their roses nuances and white fat veins, generate a touch sensation, almost as if one could feel the rough and fresh texture of the meat. This detail attention is underlined by the way Vallotton uses the light to accentuate the curves and recesses of the ham, meticulously delineated.

Lacking human presence or other animated figures, painting invites the viewer to a more subtle introspection, focusing on the stillness and serenity of the object. This peculiar and somewhat austere treatment can be interpreted as a reflection of the historical context, since in 1918 Europe was still deeply affected by the ravages of World War I. It is plausible to consider that Vallotton, through this work, underlines a search for everyday life and the essentials in a world that desired normality.

Vallotton, a member of the Nabis artists, is known for his ability to merge symbolism with an almost pictorial approach of details. "The ham" embodies this duality in a subtle way: a still life that seems to have an underlying symbology about life, mortality and perhaps the preservation of simplicity in turbulent times.

The composition of the work is remarkably simple but effective. The isolated ham in the center of the table creates a clear focal point, while the direction of the light guides the viewer's gaze along the surfaces, highlighting textures and colors. This demonstrates Vallotton's expert control over compositional elements, something that had perfected throughout his career as a visual and editorial artist.

In addition, it is interesting to observe the texture of the table fabric that accompanies the ham. The carefully represented folds and shadows not only add an element of realism, but also establish a sense of stability and serenity, contrasting with the rusting texture of the ham.

In conclusion, "The ham" of Félix Vallotton is a work that transcends the still life traditional, offering a visual and emotional complexity that invites the viewer to a reflection on the duality of the ephemeral and the enduring. Through his meticulous attention to detail, masterful use of deliberate color and composition, Vallotton takes the observer on a trip that encourages both aesthetic appreciation and meditative introspection on the smallest and largest aspects of human existence.

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