Daniel Crommelin Verplanck - 1771


size(cm): 60x75
Price:
Sale price€259,95 EUR

Description

In the work "Daniel Crommelin Verplanck" of 1771, the American painter John Singleton Copley manages to capture the essence of a portrait that transcends the merely superficial, by immersing himself in the intimacy of his subject. Portraptist of the 18th century, Coley is recognized for its ability to combine a meticulous detail with a deep psychological representation. In this work, he presents Verplanck, a prominent merchant and social figure from New York, at a time that seems agile and contemplative, encapsulating a sense of character and personality.

The composition is centered on Verplanck, who is shown by half a body, providing a sensation of proximity to the viewer. His upright posture and serene expression, accompanied by a look that directs attention outside the painting, They confer an aura of dignity and determination. Copley uses a dark background that contrasts with Verplanck's clear clothing, which allows the viewer to focus on the main character. The use of space is careful and effective; The elements in the background, although subtle, contribute to the general sense of the work without diverting the attention of the portrayed.

The color palette used by Copley is characteristic of its style, composed of rich and natural tones that give life to the textiles and the skin of the subject. Detail attention in Verplanck's clothing, elaborately represented, is a testimony of Coley's ability to imitate the texture and quality of materials. The white shirt, with its delicate fall, and the dark jacket contrast harmoniously, suggesting both wealth and a sense of moderation, qualities that are central to the representation of the men of their time.

Another notable aspect of this work is the attention that Copley dedicates to the hands of Verplanck, which are arranged in a relaxed but distinguished way. The hands are a frequently undervalued element in the portrait, and here they act as a bridge between the viewer and the subject, providing dynamism and life to the representation. Copley uses a technique that reveals the naturalness of Verplanck's hands, suggesting both his active life in trade and his personal grace.

Copley, being a painter who operated at the intersection of European influences and the emerging American identity, infused a perspective that was both local and universal. In "Daniel Crommelin Verplanck", this sense is manifested in the representation of a man who, although he belongs to the colonial elite, is inserted in a cultural context that was evolving towards independence and self -identity. This duality is reflected in the way Copley combines the tradition of British portrait with elements that express the innovative spirit of America.

This portrait is part of a rich tradition of the portrait painting of the 18th century, where artists such as Thomas Gainsborough and Anthony Van Dyck also explored the relationship between the subject and its representation. However, Copley's work is distinguished by its ability to reflect the social and political context of nascent American society, capturing not only the image, but also the essence of an era that was in full transformation.

In conclusion, "Daniel Crommelin Verplanck" is not simply a portrait; It is a deep and revealing analysis that offers a look at the personality and social position of its subject. Coley, through his technical mastery and his sensitivity towards human complexities, establishes a continuous dialogue between the viewer, the portrayed and the time when both existed. The painting is erected as a testimony of Coley's talent and his ability to immortalize not only appearance, but also the spirit of his time.

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