15. Suwa Cliff in Nippori - 1857


Size (cm): 55x85
Price:
Sale price€271,95 EUR

Description

The painting "Suwa Cliff in Nippori - 1857" by Utagawa Hiroshige is framed within the Edo period and is a notable example of the ukiyo-e tradition, which flourished in Japan during the 19th century. Hiroshige, one of the most famous masters of this movement, is known for his ability to capture the ephemeral beauty of nature and everyday life through his work. This piece is part of the series "One Hundred Famous Views of Edo," where the artist depicts various iconic locations of the region through his unique style.

In "Suwa Cliff in Nippori," Hiroshige uses a palette of subtle tones that evoke the tranquil atmosphere of the Japanese landscape. Earthy tones, such as ochres and greens, predominate, harmoniously integrating with the golds of the sky, forming a twilight sky that suggests the end of the afternoon. The carefully applied shadows and lights give a sense of depth and three-dimensionality to the composition, characteristic elements of Hiroshige's work.

The composition is organized in such a way that it guides the viewer's gaze through the landscape. The cliff rises majestically on the left side of the work, presenting a jagged profile that invites exploration. From this high point, the farthest horizon can be glimpsed, where the gentle hills fade into a more muted hue, creating a successful perspective effect that adds to the feeling of vastness. At the same time, the bridge in the lower right part of the work provides a visual anchor, connecting the terrestrial part of the landscape with the world beyond the cliff.

Hiroshige often incorporated human figures into his compositions, but in this particular work, the focus seems to be more on the landscape itself than on human activity. This does not imply that everyday life is absent; in fact, a small boat sails through the waters in the foreground, suggesting the interaction of humans with their environment. This tiny detail serves to emphasize not only the majesty of nature but also the simple human existence that is part of it.

The use of white space is another aspect that can be appreciated. Hiroshige does not overcrowd the composition, allowing certain empty spaces to breathe. This deliberate use of space creates a feeling of serenity and contemplation, elements that are central to ukiyo-e and to Japanese aesthetic philosophy in general.

Through his works, Hiroshige not only documents picturesque views of Japan but also captures its essence; the fleetingness of time, the beauty of the everyday, and the deep connection between humans and nature. "Suwa Cliff in Nippori" is a testament to this and a reflection of a time when Japanese art began to be appreciated in the Western world, influencing artists such as Claude Monet and Vincent van Gogh.

This work from 1857 continues to be an object of study and admiration, just like many of Hiroshige's creations, which demonstrate his mastery in the use of color, form, and landscape representation, cementing his legacy as one of the pillars of ukiyo-e and Japanese art.

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