Two flower vases - 1877


Size (cm): 60x75
Price:
Sale price¥42,700 JPY

Description

The work "Two vases of flowers" (1877) by Paul Cézanne is a piece that encapsulates the essence of its exploration of nature and form, and that at the same time introduces us to its own unique pictorial language. In the context of its evolution as an artist, this painting illustrates its tendency to get away from the conventions of classical art towards a more personal and emotional representation of the world that surrounded it. Cézanne, who is considered one of the parents of modern art, used his deep sense of color and his innovative composition to challenge traditional perceptions.

When observing "two flower vases", it is inevitable to notice the mastery with which Cézanne handles the relationship between the objects. The two vases, which are located in a frontal plane, are perceived with a palpable volumetry, in a constant dialogue between space and shape. The flowers that emerge from these vases are represented with a loose and almost abstract treatment, which allows the viewer to appreciate not only their nature, but also the emotional translation that the artist makes of his vision. The visible brush touches are a distinctive characteristic of Cézanne, which reinforce the idea of ​​form and structure through the repetition of color patterns.

Color plays a crucial role in this work. Cézanne uses a rich and vibrant palette, in which warm tones predominate. The yellow, red and oranges of the flowers contrast with the darkest and darkest tones of the background, generating a sense of depth that attracts the viewer's gaze. This use of color also resonates with its exploration of light and shadow, where each brushstroke not only defines a shape, but also communicates the luminosity of the environment that feels both real and interpretive.

Although there are no human characters in painting, Cézanne's approach in objects suggests a narrative. The vases, as beauty carriers, seem to invite the viewer to a meditation on the ephemeral nature of life itself, reflecting the artist's commitment to the themes of everyday existence. This is a common characteristic in Cézanne's work, who often found greatness in the mundane, raising the usual to a status of almost sacredness through its plastic approach.

One of the most interesting aspects of "two vases of flowers" is how it is registered within the post -impressionist movement. Cézanne distances himself from the transience of the characteristic light of his impressionist predecessors, such as Monet, to focus on stability and the structure inherent to the subjects he paints. Although the work reflects the influence of impressionism, it also feels the imminent arrival of Cubism, since its fragmentation of forms and its almost geometric treatment of vases presage the rupture of forms in the art of the twentieth century.

Finally, "two vases of flowers" is not only a representation of flowers in a vase, but a statement about painting itself. At a time in time, this work illustrates how Cézanne transforms the everyday into an expression of emotional and formal depth. The combination of its vibrant palette, the nobility of the form and the sublime attention to detail continue to resonate in contemporary art, tunate to appreciate not only what is shown, but also what is suggested in each stroke and in each color. Thus, Cézanne not only captures flowers, but also captures the very essence of human experience through his art.

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