The Death of Marat I by Edvard Munch (1907): a bloodied man lying on a bed and a naked woman standing, an image of his break-up with Tulla Larsen

Munch and Picasso in Málaga: Two Gunshots, a Murderess and the Ghosts of the Painter of The Scream

arte del siglo XX

The Museo Picasso Málaga brings Munch and Picasso together for the first time: two painters who never met, yet turned love, illness and death into unforgettable images. From the shot at Åsgårdstrand to Casagemas’s suicide, we trace the intimate wounds that link The Murderess to Woman with a Stiletto.

The Death of Marat I by Edvard Munch (1907): a bloodied man lying on a bed and a naked woman standing, an image of his break-up with Tulla Larsen

Munch and Picasso in Málaga: Two Gunshots, a Murderess and the Ghosts of the Painter of The Scream

arte del siglo XX

The Museo Picasso Málaga brings Munch and Picasso together for the first time: two painters who never met, yet turned love, illness and death into unforgettable images. From the shot at Åsgårdstrand to Casagemas’s suicide, we trace the intimate wounds that link The Murderess to Woman with a Stiletto.

The Starry Night by Vincent van Gogh (1889): a sky of swirling blue eddies with the moon, Venus and a cypress above the village of Saint-Rémy

Van Gogh’s The Starry Night: The Real July 1889 Sky and the Secrets of the Asylum

arte y ciencia

A study published in Scientific Reports argues that the sky of The Starry Night reproduces the predawn of July 22, 1889, over Saint-Rémy. Behind that waning moon lies the hardest year of Vincent van Gogh’s life: the asylum, illness, Theo and stars that he himself judged a failure.

Little Girl in a Blue Armchair by Mary Cassatt (1878): a girl sprawled in a blue armchair beside a small griffon dog, in a room whose background Edgar Degas retouched

Mary Cassatt, the Independent: Degas, Lydia and the Secrets of the American Impressionist

aniversarios

A hundred years after her death, the Musée d’Orsay celebrates Mary Cassatt, the only American who exhibited with the Impressionists. Behind her mothers and children stands a proud, untamable woman: the rebellion against her father, the stormy bond with Degas, the death of her sister Lydia, spiritualism and blindness.

Nude in the Bath by Pierre Bonnard, 1936: Marthe lying in the bathtub among coloured tiles

Pierre Bonnard Uncovered: Marthe, Renée and the Plum Orchard That Set a Paris Auction Record

arte del siglo XX

An orchard of plums painted around 1899 has just become the most expensive Bonnard ever sold at auction in France. Behind its colors lies the secret life of Pierre Bonnard: Marthe, the wife with a false name; Renée, the tragic love; and his habit of slipping into museums to retouch his own paintings.

Lady with a Fan by Gustav Klimt (1917–1918), one of the unfinished paintings left in his studio alongside Klimt’s last portrait, Fräulein Lieser

Fräulein Lieser, Klimt’s Last Portrait: An Unnamed Sitter and an Inheritance at War

arte del siglo XX

In 1917 a young woman of the Lieser family sat nine times for Gustav Klimt in his Hietzing studio; the painter died before finishing the picture. More than a century later, his last portrait still lacks a definitive name for its sitter and is caught in a war between heirs that grew out of Nazi persecution.

Metamorphosis of Narcissus (1937) by Salvador Dalí, the painting the artist took to Sigmund Freud in London in 1938

Dalí and Freud: The Obsession That Turned the Painter's Traumas into Surrealism

arte del siglo XX

The Museo Thyssen-Bornemisza explores Salvador Dalí's obsession with Sigmund Freud. From the dead brother who bore his name to the 1938 meeting in London, this is the story of the man who turned his traumas into images.

Nighthawks by Edward Hopper (1942): four figures at the counter of a brightly lit diner on a deserted New York street corner at night

Edward Hopper Unmasked: The Boy Who Copied, the Wife Who Kept a Diary and the Night of Nighthawks

arte del siglo XX

A new biography reveals that the first six oils Edward Hopper painted were copies of printed images. Behind the painter of loneliness emerges a shy, tight-fisted, conservative man, and Jo, the wife who posed for him and recorded everything in her diaries.

Princess with a Monkey by Janis Rozentāls, 1913: a red-haired princess with an Eastern air, adorned with necklaces and chains, beside a little monkey dressed in red

Janis Rozentāls: The Blacksmith's Son Who Gave Latvia Its Own Art

aniversarios

The son of a Courland blacksmith, Janis Rozentāls painted his neighbors leaving Sunday service, Death dressed in white and a red-haired princess beside a monkey hired for a ruble a day. On the 160th anniversary of his birth, we trace the life of the painter who gave Latvia a face of its own: his love at first sight for a Finnish singer, the writer who lived under his roof and a final chapter in exile.

Detail of the face of a limestone head by Amedeo Modigliani, c. 1911–1912, National Gallery of Art, Washington

Modigliani the Sculptor: The Stone Heads That Cost Him His Breath

Amedeo Modigliani

Before painting his endless necks, Amedeo Modigliani wanted to be a sculptor: he gathered stone from the building sites of Montparnasse and carved heads that he lit with candles. This is the story of that dream, of the sick body that forced him to give it up, and of the fake heads that fooled Italy in 1984.

Mont Sainte-Victoire by Paul Cézanne, c. 1902–1906, one of the views of the mountain he painted in his final years in Aix-en-Provence

Cézanne's Last Days: The Storm, the Gardener Vallier and Secrets of the Father of Modern Art

Aix-en-Provence

On October 15, 1906, Paul Cézanne kept painting through a storm on the Les Lauves hill and died a week later. 120 years after his death, we trace the secret life of the father of modern art: the banker who watched over him, the hidden family, Zola, his faith and his dread of being touched.

The Large Plane Trees (Road Menders at Saint-Rémy), an 1889 oil by Van Gogh once owned by the collector Gustave Fayet

Gustave Fayet, the Collector Who Slept Beside Van Gogh’s Bandaged-Ear Self-Portrait

coleccionismo

A wine grower from Béziers, Gustave Fayet bought Gauguin, Van Gogh and Redon when almost nobody was buying them, and slept for more than twenty years beside the self-portrait with the bandaged ear. The Fondation Louis Vuitton now rescues the collector whom art history forgot.

Painterly Architectonic by Lyubov Popova, 1918: overlapping planes of colour, an abstract painting of the Russian avant-garde

Liubov Popova: The Record-Breaking Sale and the Short Life of the Painter Who Traded Canvas for Fabric

arte del siglo XX

A Painterly Architectonic by Liubov Popova has just shattered the artist’s record at Christie’s: £7.6 million. Behind the price lies the short life of a Russian avant-garde pioneer who painted her brother in a top hat, lost her husband and her son, and swapped the canvas for textile design.

Mother by Joaquín Sorolla (1895–1900): Clotilde and her newborn daughter Elena resting among white sheets

Inside the Sorolla House: Love Letters, a Garden and the Portrait the Painter Never Finished

arte del siglo XX

The Museo Sorolla reopens in Madrid after two years of closure with an exhibition on the house that tells the intimate story of the painter of light. A Valencian orphan, more than 2,000 love letters exchanged with Clotilde, an Andalusian garden and the unfinished 1920 portrait that ended his career.