THE CONSTRUCTORS (EXTERNAL COLOR) - 1955


Size (cm): 75x60
Price:
Sale price¥41,600 JPY

Description

In "The builders (exterior color)" by Fernand Léger, painted in 1955, the principles of the cubist style that the artist embraced and developed throughout his career is manifested exemplary. Léger, recognized for its experimentation in the use of color and shape, delivers in this work a dynamically structured visualization of contemporary work and life, as well as an exploration of the interaction between the human being and its environment.

The composition is characterized by the fragmentation and reorganization of space, a distinctive feature of Léger that emphasizes movement and activity. In "The builders", the viewer perceives an interaction between human figures and a series of architectural and mechanical elements that allude to construction and industrialization. The forms are simplified, composed of large planes of color that are intertwined through intelligent use of linearism. This technique not only conveys the idea of ​​manual work and construction, but also suggests an almost symbiotic relationship between man and the machine.

The use of color in this work is particularly remarkable. Léger opts for a vibrant palette that combines intense primary tones with more subtle nuances, creating a contrast that highlights the forms. This color choice not only gives energy to the composition, but at the same time, it evokes the vibrant modernity of the 1950s. It is observed that the luminosity of color plays a crucial role in the creation of a shocking visual experience that captures The viewer's attention, inviting him to explore the details of the paint.

Although human figures are represented very abstract and stylized, their inclusion suggests the centrality of human work in the construction process. The characters seem to be in motion, trying to communicate a sense of activity and urgency. This approach to the figure integrated in the industrial process is characteristic of Léger's style, who often considered man as part of a major system.

The work can also be seen as a reflection on the modernity and transformation of the world under the influence of industrialization. In this sense, "the builders" is positioned in a broader context within the work of Léger, who throughout his career explored the themes of the machine, the human figure and his interaction with the urban environment.

In its essence, this painting not only offers a look at a social and economic function of the human being in the midst of a growing industrial machinery, but also creates a visual dialogue that challenges the viewer to consider the relationship between daily life and art . In summary, "the builders (exterior color)" is both a celebration of human effort and progress and a masterpiece that encapsulates the innovations of the visual language of Cubism, leaving a deep mark on the history of the art of the twentieth century.

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