Still Life With red lamp - 1918


Size (cm): 55x85
Price:
Sale price¥43,600 JPY

Description

The work "Still Life With red lamp "by María Blanchard, created between 1916 and 1918, it is a formidable example of the mastery of this Spanish artist in the representation of everyday objects through a modernist perspective. Blanchard is recognized by his unique style that fused cubism with A post -impressionist sensitivity, which places it as an outstanding figure in the avant -garde art in its time.

In this painting, the composition is structured around a red lamp that stands as the central element and whose vibrant hue immediately captures the viewer's attention. The lamp, with its robust base and its screen that radiates light, becomes not only an object, but also a symbol of warmth and the search for both physical and intellectual lighting. Around it, the other elements of the table, including a plate with fruit and a bottle, are grouped so that they emphasize the game of lights and shadows, creating a visual contrast that invites contemplation.

The color palette used by Blanchard is controlled but effective; The dark tones of the background enhance the luminosity of the lamp, while the moderate yellow and green of the fruit add a touch of freshness to the work. This contrast of colors is not only aesthetically pleasant, but also symbolizes the harmony between everyday life and introspection, a recurring theme in the production of the artist. When observing the work, the spectator not only sees a disposition of objects, but is attracted to the dialogue between the everyday and the sublime, reflecting Blanchard's ability to raise the simple to the extraordinary.

María Blanchard, although often overshadowed by her contemporaries in the narrative of art, has a significant legacy that challenges the conventions of her time. His formation and artistic growth were influenced by avant -garde movements in Europe, and the influence of Cubism can be observed not only in the conception of form, but also in the fragmentation of the composition presented here. The way it organizes objects, almost as if they were in a three -dimensional space, demonstrates their skill to create depth and perspective, characteristics of the cubist repertoire.

This work can also be contextualized within its dedication to dead natures, a genre that provided the freedom to explore and experiment with shape and color. Although Blanchard does not include human figures in this specific work, his dedication to the capture of light and the form resonates with the idea of ​​introspection, where the absence of figures invites the viewer to become a contemplative observer of life itself.

In conclusion, "Still Life With red lamp "it is much more than a simple representation of inanimate objects; it is a meditation on light, form and daily life from the innovative view of María Blanchard. The work encapsulates not only its skills as an artist, but also its contribution To a broader dialogue in the history of art, where the family is transformed into the exceptional, an aspect worthy of reiterating and celebrating. Spain of the early twentieth century.

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