Self -portrait with wolf skin - 1915


Size (cm): 55x85
Price:
Sale price¥42,900 JPY

Description

In the self -portrait with wolf skin, painted in 1915, Anders Zorn presents the viewer with a audacity loaded with symbolism and a technique that resonates with the legacy of the art of the portrait. Zorn, one of the most prominent Swedish painters of the late nineteenth and early twentieth centuries, fuses elements of personal self -reflection and the representation of the individual in a broader context. This self -portrait is inscribed within a series of works that explore the identity of the artist, placing the viewer in a privileged position to understand the complexity of the human being through the introspective look of its creator.

The composition is characterized by its balanced frontality, where Zorn, in the center, is immersed in a visual dialogue with the observer. The use of wolf's skin adds a dimension of power and ferocity, suggesting a symbolic link with nature and animality. This element is not only an accessory, but underlines a duality: human vulnerability to the ferocity of the environment, as well as the affirmation of masculinity and instinct in the author's art, who was known for his mastery in portraits that often They transmit a vital sense of energy.

The color palette is rich and nuanced, with warm tones that predominate in the tones of Zorn's skin, contrasting with the cold tone of the wolf's skin. This color game not only gives depth to the portrait, but enriches the sensation of volume and three -dimensionality, a distinctive feature of Zorn's style that finds its peak in the ability to capture light and shadow in their works. The texture of the wolf's skin, represented with a remarkable skill, reflects its ability to mimic the qualities of different materials on a single canvas.

It is fascinating to observe how Zorn chooses to represent without ornaments or superfluous illustrations, focusing on the human and the visceral. His look, direct and penetrating, invites an emotional and personal connection with the viewer. Here, the figure of the artist transcends his own ego and becomes a symbol of the internal struggle that each person faces, in a world that is often both wild and beautiful.

Zorn, who received an influence of impressionism and naturalism, often documented everyday life and themes of Swedish culture, which translates into palpable authenticity in its self -portrait. Through this work, the artistic traditions of the Nordic portrait are joined with a personal introspection approach, which offers a unique perspective in the approach that the artist had about his own identity and his relationship with the world.

In conclusion, self -portrait with wolf skin is not just a visual representation; It is a declaration of intentions that invites reflection. Zorn's work stands as a testimony of the complexity of the human figure, where vulnerability is intertwined with ferocity. In this self -portrait, the viewer not only observes an image, but is witnessing a narrative in which the wild meets humanity. This painting remains a clear example of how Zorn, through its technical mastery and its acute perception of the human being, managed to capture not only the essence of the individual, but also the very condition of the human being in all its depth and contradiction.

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