ROSAS WITH RED CHAZA - 1940


Size (cm): 55x70
Price:
Sale price¥39,900 JPY

Description

The "Rosas with Red Silla" painting by Horace Pippin, created in 1940, is a work that evokes the vibrant dialogue between nature and human furniture, channeling the essence of a domesticated world through its unmistakable composition and color palette. Pippin, a self -taught artist known for his ability to capture the life of the African -American community and his experiences, offers us a work that, although it seems simple at first glance, is loaded with symbolism and emotion.

In "Rosas with red chair", the visual focus revolves around the red chair, an object that not only serves as an element of physical support, but also adds an emotional dimension to the representation. The chair, with its vibrant color and its shape that contrasts with the environment, serves as an anchor in the composition, guiding the viewer's gaze towards the background where the exuberant roses are found. These florals, painted with a technique that seems to embrace the texture and the vivid reality of nature, are the soul of the work. Rosas have warm shades that evoke a feeling of warmth and familiarity, creating a cozy atmosphere that invites contemplation.

The use of color by Pippin is particularly remarkable. The red and roses of the flowers stand out in contrast to the most neutral and subtle background, which suggests an interior space, perhaps a home. This choice of color not only highlights the beauty of flowers, but, at the same time, invites reflection on domestic life, fertility, and connection between interior space and external life. Roses can be represented as symbols of love and care, qualities that resonate with the importance of family and community relationships in Pippin's work.

The painting does not present human figures, which could be interpreted as a deliberate decision by the artist. The absence of characters can refer to the intimacy and tranquility of a home, suggesting that the essence of life is in the small moments, in the nature that surrounds us and in the daily objects that accompany us. Pippin, who was a veteran of World War I often incorporated his life experience in his works, and in this painting, the serenity of nature could be interpreted as a form of refuge before the tumult of the outside world.

Horace Pippin, throughout his career, used his art to explore identity issues, history, and the human condition, often in contexts that celebrated African -American culture. "Rosas with a red chair" aligns with its distinctive style and its emotional approach to art. When observing this work, we are clear about the mastery that Pippin possessed not only for the form, but also for the creation of environments that tell stories without the need for words.

In conclusion, "Rosas with a red chair" is not just a representation of flowers in a daily environment; It is a canvas that encapsulates life, emotions and culture. Through its use of color, composition, and the subtle implicit narration, Pippin reminds us of the beauty of the simple and the depth of our connections within the framework of daily life. This work not only stands out within his career, but also offers an eternal reflection on the nature of human experience.

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