Portrait of faith - 1927


Size (cm): 60x75
Price:
Sale price¥42,000 JPY

Description

Robert Henri's "portrait of faith" (1927) is a work that encapsulates the essence of portrait art in the context of the realistic movement and the emphasis on the individual expression that characterized the artist's work. Robert Henri, a group leader known as the Ashcan School, stood out for his interest in everyday life and, above all, for his commitment to portraying the humanity of his subjects, which is clearly evident in this work.

At first glance, what attracts attention in "portrait of faith" is the central figure of painting. The composition presents a woman in a medium flat, her direct and penetrating look establishes an instant connection with the viewer. The choice of a neutral background highlights the figure even more, allowing its face and its expression to be the main focus of the work. Henri manages to capture not only the physical appearance of his subject, but also a deeper essence of his character and personality. The woman, with her dark hair and clear skin, transmits a sense of strength and vulnerability at the same time, a contrast that invites contemplation.

The use of color is one of the most prominent aspects of this work. Henri uses a palette of terrible colors and soft tones that, far from being a mere representation of natural color, are integrated to communicate the warmth and intimacy of the portrayed figure. Loose and expressive brushstrokes suggest a free management of the brush, which can be interpreted as an attempt by Henri to capture the vitality of the moment. Lighting also plays a crucial role; The soft light that bathes the woman's face highlights its features and gives a sensation of three -dimensionality, while suggesting a contemplative atmosphere.

A fascinating aspect of "portrait of faith" is the fact that Henri, often, was attracted to marginal or daily life characters, and in this case, the figure of women does not seem to be the typical idealization of the academic portrait of the academic portrait . Instead, Henri moves away from conventions to present the genuine, the real. This preference for the authentic is a distinctive seal of his work and is intertwined with the ideas of emotional honesty that he valued so much.

The work is enrolled in the context of the development of the portrait in contemporary art, marking an interiority and psychology that would be characteristic in the art of the twentieth century. Henri can be seen as a pioneer in this sense, anticipating trends that would later become prominent in expressionism and modernism. His approach to the portrait is more than a simple capture of appearance; It is a search for connection, to tell the story behind the eyes of its model.

In conclusion, "portrait of faith" is not only a testimony of the technical ability and artistic vision of Robert Henri, but also represents a deep dialogue between the artist and his subject. Through his particular style, which combines sincere colors and an honest psychological representation, Henri not only presents us to a concrete woman, but also invites us to reflect on the essence of humanity itself. This work resonates with the spectator to an emotional level, capturing the complexity of the human experience and the power of the portrait as an art form.

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