Portrait of a lady (also known as Thea Proctor) - 1916


Size (cm): 60x75
Price:
Sale price¥41,800 JPY

Description

The painting "Portrait of a lady (also known as Thea Proctor)" of 1916, made by George Washington Lambert, represents an emblematic piece of the art of the portrait of the twentieth century. The portrait stands out not only for its meticulous technique and its balanced composition, but also for its ability to capture the essence and elegance of its portrayed, the artist Thea Proctor.

Lambert, an Australian-British painter of remarkable versatility, displays in this work a sublime domain of the portrait. The figure of Proctor emerges from the canvas with a serene Majesty, its upright bearing and its firm gaze project an intimacy that contrasts with the solemnity of its expression. This contrast becomes a powerful focal point that reflects both individuality and the dignity of the portrayed figure.

In terms of composition, Lambert opts for a vertical format that frames Thea Proctor in an imposing pose. The pose reminds the classic portraits, where the upright posture and the subtle inclination of the head suggest nobility and grace. The use of negative space around the figure highlights its presence even more, allowing your figure to dominate the composition without distracted by excessive background details.

Color management is another notable aspect of this work. Lambert uses a sober palette dominated by dark and terrible tones, which are complemented by lighter touches on the face and hands of Proctor. This contrast not only highlights the main figure, but also contributes to the feeling of depth and volume in the portrait. The texture of the fabric and the treatment of light in the clothes contribute to a tactile and three -dimensional sensation, reinforcing the likelihood of the scene.

One of the most fascinating aspects of painting is Lambert's ability to capture the psychological nuances of his model. Proctor's expression is enigmatic, marked by a calm that seems to contain a rich and introspective inner life. This ability to suggest beyond the visible is one of the distinctive stamps of Lambert's art, who through his narrative technique manages to tell deep and intriguing stories of his subjects.

You cannot ignore the relationship between the artist and his subject. Thea Proctor, an outstanding artist in herself, was an influential figure in the development of modern art in Australia. The portrait that Lambert creates of her is, therefore, a testimony not only of her physical appearance, but also of her cultural and artistic relevance. Lambert's decision to portray Proctor with such dignity and respect speaks of mutual recognition between two contemporaries who shared a vision of art as a high and significant means of expression.

The work "portrait of a lady (also known as Thea Proctor)" is inscribed in the tradition of the great portraitists, who not only capture the physical appearance, but also the spirit of their models. When observing this painting, we face a confluence of technique, composition and psychology, all orchestrated by the masterful brush of George Washington Lambert. It is a work that not only honors its subject, but also reflects the high degree of mastery and sensitivity of the artist, consolidating it as one of the great names in the history of the portrait.

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