Misery - 1897


Size (cm): 60x60
Price:
Sale price¥37,800 JPY

Description

The work "Misery" (1897) by Käthe Kollwitz is a powerful visual testimony of human suffering, embodied in the mastery of the German artist, whose works often reflect social anguish and human condition. In this painting, Kollwitz uses an expressionist style that, throughout her career, led her to explore issues such as death, suffering and dignity of the oppressed.

When observing "misery", you can see an intense emotional burden through a composition that highlights almost desolate human figures in an environment that evokes despair. The painting presents a scene in which the suffering is palpable. The figures, although without very defined facial details, transmit a deep sadness and exhaustion. The representation of these characters, mostly women and children, points out the vulnerability of the most disadvantaged and social criticism that permeates Kollwitz's work.

The use of color in "misery" is austere, dominated by gray and brown tones, which reinforces the atmosphere of desolation and hardship. This gloomy palette not only highlights the precariousness of the lives it portrays, but also contributes to the atmosphere of hopelessness emanating from the work. Kollwitz, through his chromatic choice, manages to convert painting into a silent cry, a plea that challenges the viewer about social injustice and humanitarian misery.

The tenebrism, which causes the concentration of the spectator in the main figures, also reveals Kollwitz's mastery to capture emotions in such a small space. The lighting seems to emerge from a dark background, accentuating the fragility of the bodies that unfold before us. This contrast between light and darkness is characteristic of many of his works, where light often represents the hope that is absent in the life of his characters.

Käthe Kollwitz, a pioneer woman in a predominantly masculine artistic world, sought to give voice to those who were marginalized and forgotten. "Misery" is an extension of its social commitment. The work can be seen as part of a series of works in which it addresses poverty and class struggle, aligning with its concern for the rights of the working class and the suffering that war and oppression caught.

The creation of "misery" must also be understood in the context of the late nineteenth century, a period of great changes in Europe, where industrialization brought with them both advances and enormous inequalities. Through this painting, Kollwitz becomes a visual chronicler of suffering human experience, a role he would play throughout his life.

In Kollwitz's trajectory, works such as "Las Workers" and "El Duel" share thematic resonances with "misery", revealing their unwavering approach to pain and dignity. Undoubtedly, its artistically committed legacy has established a way for the following generations of artists to address social problems with the same emotional courage. "Misery" is not only a milestone in Kollwitz production, but also remains a call to reflection on our own society, inviting each spectator to contemplate the human condition in its most vulnerable aspects.

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