Matière et lumière ou le Christ au tetramorphe - 1934


Size (cm): 55x50
Price:
Sale price¥32,100 JPY

Description

The work "Matière et Lumière ou le Christ au Tetramorphe" (1934) by Albert Gleizes is a piece that encapsulates not only the artist's vision, but also a deep cultural and religious context. Gleizes, a central figure in the cubist movement, uses geometrization and a rich color palette to create a symbolic representation of Christ to the Tetramorphe, a concept that evokes the Christian tradition.

When observing the paint, an intricate composition space can be seen, where geometric shapes are intertwined so that they transmit a sense of movement and stability at the same time. The use of different shades of blue, yellow and green is presented with mastery, causing a game of lights and shadows that suggests the duality of matter and light, a topic also present in the title of the work. This idea of ​​"matter and light" is essential in Cubism, where the decomposition of the forms allows exploring the essence of the object or character represented.

In the center of the composition is a symbolic crucifixion, pointing to the figure of Christ that, although it is not represented in a traditional way, is suggested through the silhouette and the elements that surround it. The figure of the tetrapod, representing the four evangelists, adds a narrative component that invites reflection on spirituality in Sleize art. Each section of the work seems to dialogue with each other, creating a dynamic balance that is characteristic of its style.

Vibrant colors and angular shapes in the work reflect not only cubist influence, but also an internal search for meaning, where the abstract and figurative merger. The composition can be perceived as a visual field in which the viewer is led to explore not only the figure of Christ, but also the philosophy behind the work and its connection with the spiritual world.

It is important to consider the context of its creation. In the 1930s, Europe was plunged into a series of socio -political crises, and Gleize's work can be interpreted as a response to these tensions, seeking to find in spirituality a sense of peace and unity. "Matière et Lumière ou le Christ au Tetramorphe" is not only a religious portrait, but also a reflection on the role of art in times of crisis.

In summary, this work is a rich and complex representation that captures both the essence of Cubism and the depth of the spiritual issues that Gleizes tries to address. Geometry, light and color are intertwined in a way that challenges the viewer to contemplate beyond the visual and explore what the coexistence of matter and divinity means. In this work, we notice how art can be a vehicle for the exploration of ideas that transcend time and space, offering a enduring testimony of human search to understand its place in the world.

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