Description
In the painting "Magnetic suprematism - 1917" by Kazimir Malevich, we are faced with an intricate deployment of geometric shapes and colors that challenges the conventional perceptions of art and invites us to reflect on the very essence of painting. Malevich, through its suprematist movement, sought to transcend the limitations of the object and direct attention to pure sensitivity and perception. This work is a clear example of this search.
The composition of "magnetic suprematism" presents a series of geometric shapes arranged in a space that seems devoid of gravity. Rectangles, squares, circles and lines are distributed with an apparent randomness but in a careful orchestration that creates a harmonious balance. The interaction between these geometric elements and the pictorial plane suggests a dynamism, a magnetic force that, as the title suggests, seems to impose a mutual attraction between the forms.
The colors used in this painting are fundamental to understand its visual and conceptual impact. Malevich uses a palette composed mainly of primary, black and white colors. The use of red, blue and yellow not only adds vitality to the work, but also creates vibrant contrasts that increase the kinetic energy that emanates from the composition. It should be noted that the choice of white as a background is not a mere chance, but acts as an infinite space in which the figures can float freely, evading any attempt to anchor in tangible reality.
There are no characters in this painting, at least not in the traditional sense. The geometric figures become the protagonists of the canvas, communicating without words, through their disposition and color. Malevich deliberately eliminated any reference to objective reality to focus attention on pure perception. Through these abstract elements, the artist transmits an energy and movement that can be interpreted as a metaphor of the invisible forces that govern the universe.
It is important to mention that suprematism, the movement founded by Malevich, is perhaps one of the most radical attempts of Russian avant -garde for redefining painting. The search for the "supremacy of pure sensitivity" proclaimed Malevich found in works such as magnetic suprematism - 1917 its most pure and challenging expression. This painting is articulated as a visual manifesto that rejects traditional representation and advocates an art that goes beyond the visible and material.
Malevich and his suprematism have influenced numerous artists and subsequent movements, from Russian constructivism to minimalism in the second half of the twentieth century. Supreme works, such as this, continue to inspire debates about the nature of art and the search for new forms of expression and perception.
In summary, magnetic suprematism - 1917 is a work that encapsulates the fundamental principles of suprematism through a transparent and vibrant geometric composition, highlighting the importance of color and spatial design. It is an invitation to get rid of the sheaves of perceptible reality and immerse yourself in the world of essential forms and essential colors, where the true essence of painting can be experienced directly and without intermediaries.
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