Size (cm): 75x55
Price:
Sale price¥40,400 JPY

Description

Katsushika Hokusai’s Five Fans is a striking example of the richness and complexity of ukiyo-e, a form of printmaking and painting that flourished in Japan during the Edo period. Known primarily for his depictions of landscapes, such as his celebrated The Great Wave off Kanagawa, Hokusai also dabbled in depictions of everyday culture and art objects, and Five Fans is a testament to this thematic and stylistic diversity.

Visually, the work features five harmoniously arranged fans, each exhibiting a distinctive design that resonates with Hokusai’s technical mastery. The composition is notable for its balance; the fans are arranged in an arrangement that creates a visual dialogue between them. Each one appears to flow into the next, guiding the viewer through a visual narrative that celebrates the object’s elegance and importance in Japanese culture.

The colours used are vibrant and carefully chosen, with shades of blue, red, yellow and green predominating. Hokusai demonstrates his skill in the use of ink and colour by combining warm and cool hues that not only beautify the work, but also add a sense of depth and texture. The use of colour is not only decorative, but also symbolises the seasons and human emotions, a reflection of Japanese art's connection to nature and spirituality.

Unlike many of Hokusai’s works that feature human figures or landscapes, “Five Fans” focuses on an everyday object, almost like an object of desire. There are no characters present in the work, allowing the focus to fall entirely on the fans themselves and their ornate designs. This approach can be interpreted as an homage to the aesthetic of “mono no aware”—the beauty of the transience of things—illustrating how these objects can be ephemeral and, at the same time, deeply cherished possessions.

The cultural context of this type of work is important: in the Edo period, fans were not only tools for regulating temperature, but also decorative items that reflected the social status and cultivated the aesthetic taste of their owners. Specific imagery on each fan may be inspired by nature, literature, or popular iconography of the time, inviting the viewer to a deeper interpretation of each of the designs.

In terms of technique, Hokusai used the woodblock printing method, characteristic of ukiyo-e, which allowed him to reproduce his works in series, thus democratising access to art. His work has been fundamental in the dissemination of Japanese art worldwide and has had a notable influence on Western artists, especially in the Impressionist movement.

“Five Fans” is a simultaneous reflection of Hokusai’s technical mastery and cultural richness. This work stands out not only as a fascinating depiction of an everyday object, but as a testament to Hokusai’s mastery of ukiyo-e, evoking a sense of nostalgia and appreciation for the beauty that resides both in the simplicity of the everyday and in the complexity of the culture that surrounds it.

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