Fisherman's farewell - 1928


Size (cm): 75x30
Price:
Sale price¥32,200 JPY

Description

Christopher Wood, a name that resonates strongly in the artistic currents of the first third of the twentieth century, offers us a window to his soul and his time with "Fisherman's farewell" (The Fisherman S Farewell), created in 1928. The Work becomes a visual narrative that delves into the relationship between humanity and the sea, using a chromatic palette that is as evocative as deep.

At first glance, the viewer's eye is immediately attracted to the range of cold colors that dominate the piece. The blue of the ocean and heaven fuses into a melancholic harmony, while the warmer tones, such as brown and green, are used to demarcate the human presence and little vegetation that arises on the scene. These colors are not merely decorative, but fundamental elements that intensify the feeling of farewell, transit and perhaps hope in a return that is not seen.

The composition is in itself an ode to symmetry and proportion. He painting It is divided into practical terms by the horizon line, offering a balance that gives solemnity to the scene. The fisherman, a robust and determined appearance man, occupies the center of the image. His attitude is contemplative, almost resigned, while he plans to embark on his boat that awaits the sand. Beside him, a woman, presumably her partner, dismisses him with a gesture that mixes both affection and concern. The interaction between the characters is loaded with silences and looks that tell an endless story of love and farewells.

In a more detailed analysis, the fisherman's figure seems anchored in an almost mythical tradition, reminding us of the ancient epics of men who face the sea, that vast and often indomitable entity. Here, Wood captures the constant struggle of man against the forces of nature, not only as an act of survival, but as a proof of persistence and courage. The woman, on the other hand, symbolizes strength and waiting. His position and facial expression reflect a combination of security and restlessness, suggesting an indissoluble bond between the two characters, despite the distances that the sea could bring.

In the background, some smaller vessels, lost in the immensity of the horizon can be distinguished. These additional elements give a sense of continuity and daily life to the main scene, echoing the reality of many coastal communities of the Wood time.

Christopher Wood, whose life was tragically truncated at age 29, left a remarkably distinctive artistic legacy. Influenced by his studies in Paris and his meetings with other notable artists of the European avant -garde, his style is an amalgam between post -impressionism and certain influences of surrealism. This painting In particular, however, it remains more aligned with a stylized naturalism that reveals its interest in universal and timeless issues.

"The flesh of the fisherman" is not only a representation of a specific moment in any day in a fishing community, it is a meditation on human relations, courage, and resignation before the forces of nature. With this work, Christopher Wood requires us to look beyond the obvious and dive into the depths of the emotional sea that he has so skillfully painted.

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