Ducks - 1920


Size (cm): 70x45
Price:
Sale price¥36,400 JPY

Description

The work "Ducks" by Goyo Hashiguchi, created in 1920, is a significant example of the author's style, which is situated at the intersection of Japanese tradition and the influences of Western art that began to enter Japan in the late 19th and early 20th centuries. Hashiguchi, a master of engraving and painting, reflects in this work his deep connection with nature and his ability to capture moments of everyday life with a unique sensitivity.

In "Ducks," the composition is carefully balanced, showing a group of ducks gathered in a natural setting. The use of oil painting technique allows Hashiguchi to achieve a rich and nuanced texture that highlights the feathers of the ducks, each with its subtle color variations. The background, while not competing with the prominence of the birds, offers shades of vegetation that complement the scene and suggest a serene and almost meditative atmosphere.

The color palette in the painting is another highlighted aspect. Hashiguchi uses earthy tones and greens that evoke the tranquility of the aquatic environment, alongside the luminosity of the ducks' plumage, whose diversity of colors stands out elegantly. The use of soft and silky tones brings the scene to life, creating a contrast that invites the viewer to closely observe the details of each bird.

Regarding the representation of the characters in the work, the ducks are, in themselves, the focus of attention, and there are no human figures competing for space or attention. This choice seems to underline the idea of harmony with nature, a recurring theme in Hashiguchi's work. The capture of the birds' postures, some with their necks upright and others in a more relaxed attitude, suggests a simple yet rich narrative, where the ducks live their existence unaltered by human intervention.

A particularly interesting aspect of this work is the relationship it establishes with the ukiyo-e technique, of which Hashiguchi was a prominent renovator. His ability to synthesize elements of ukiyo-e with a more modern Western technique manifests in the treatment of color and light, creating a visual effect that speaks of both tradition and contemporaneity. This dialogue between aesthetics is fundamental to understanding the evolution of Japanese art during the Taisho period, in which Hashiguchi played a key role.

The creation of "Ducks" not only offers us a glimpse into Hashiguchi's technical skill but also serves as a reflection of his aesthetic philosophy. The work highlights the ephemeral beauty of natural life, capturing a moment that, although fleeting, becomes eternal through art. This perspective on nature is a distinctive trait of Hashiguchi, who strove to capture the essence of his subjects with a clarity and sweetness that resonates strongly with the viewer.

In conclusion, "Ducks" is more than a simple representation of birds. It is a testament to Goyo Hashiguchi's talent and his ability to fuse technique, color, and theme into a work that breathes harmony and beauty. Through his brush, the ducks transcend their everyday existence to become symbols of connection with nature, a legacy that continues to inspire future generations. His skill in handling color and form invites deep contemplation, reminding us of the importance of nature and serenity in our modern lives.

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