Dalias in a copper vase - 1885


Size (cm): 60x75
Price:
Sale price¥41,900 JPY

Description

The work "Dalias in a copper vase", painted in 1885 by Paul Gauguin, is presented as an outstanding example of the stylistic evolution of the artist and his interest in botanical themes, which also reflect their fascination with color and light. The composition focuses on a copper vase, which rises with elegance in the central part of the canvas, emanating a warmth that contrasts with the vibrant exuberance of the flowers around it. The selection of Dalias, Flores that Gauguin had in high esteem, is not accidental; These symbolic flourishing, with their robust forms and saturated colors, evoke a vital energy that the artist used to aspire to capture in his work.

The color palette used in this painting It is remarkably rich and bold. Gauguin incorporates tones of red, orange and yellow that seem to vibrate on the canvas, which generates a sense of movement and life. The dense color application, characteristic of the post -impressionist style that Gauguin helped define, offers a visual depth that invites the viewer to approach and reflect on each nuance. The choice of copper for the vase not only suggests a connection with the earth and the natural, but also acts as an element that reflects and refracts the color, enriching the composition with its skate.

The compositional structure is based on a subtle balance between shape and color. Dalias, with their petals in layers and varied shades, display both visual and emotional wealth. There are no human characters within this work, which allows the spectator to focus fully on the interaction between the vase and the flowers, exploring a narrative that separates from the human figure to embrace natural beauty in its purest form. This refers to the search for Gauguin for looking for the essential and spiritual in nature, a recurring theme in his post-impressionist work.

Entering the least obvious aspects, "Dalias in a copper vase" is representative of a stage in Gauguin's career in which he was still in France, before his trips to Polynesia that would mark a radical change in his artistic approach. The work shows its transition to a more ornate and symbolist aesthetic, where matter and color became the vehicle to express emotions rather than simply represent reality.

In conclusion, the elegance of "Dalias in a copper vase" not only resides in its impressive use of color and shape, but also in its ability to evoke a deep connection with the natural, an issue that has become central in the Evolution of modern art. When observing this work, it is possible to recognize Gauguin's mastery in the creation of a visual experience that transcends the merely decorative, inviting the viewer to reflect on the ephemeral beauty of life and the unmarcessible trace that art leaves in our perception of the world .

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