Coquetry - 1911


Size (cm): 75x60
Price:
Sale price¥42,300 JPY

Description

In the work "Coquetía - 1911" by Félix Vallotton, you can see a masterful use of color and composition, essential elements that denote the mastery of the Swiss painter belonging to the Nabi movement. Vallotton, known for his incisive style and his ability to capture the psychological essence of his characters, manages to capture a moment of unique intimacy between two figures.

The scene takes place in a sumptuous lounge, evidenced by the refinement of furniture and decorative details. In the center of the composition, a woman sitting in a chaise longue, with a slightly tilted torso, wears a long long pink dress. This color, so characteristic of certain works by Vallotton, suggests softness and femininity, contrasting with the darkest background of the environment, which enhances the main figure of the painting. The woman holds a book in one hand, while her other hand extends to a man who stands by her side, looking at her with obvious attention. This interaction detail is a clear indicative of the title of the work: "coquetry".

The man, who wears a dark tones suit, appears in profile, which allows his attention and posture to be directed clearly towards the woman. Its expression, almost serious, allows an ambiguous interpretation: is the conversation they maintain passionate, or is it a mere formality wrapped in the coquetry game? This ambiguity is Vallotton's characteristic, who often included psychologically complex elements in his paintings.

The use of defined lines and the detail in the texture of the clothing show the influence of the engraving in the pictorial technique of Vallotton. The subtle shadows and the nuances of focused light give depth to the scene, being particularly evident in the texture of the woman's dress and the shadows projected by the furniture.

The composition of the work is compact, without superfluous elements that distract from the focal point, which is the interrelation of the characters. This direct and almost theatrical approach is a firm of Vallotton's style, revealing his interest in human dynamics and everyday tensions.

"Coquetía - 1911" is undoubtedly a work that encapsulates Vallotton's ability to combine decorative elements with complex narratives. Beyond the apparent simplicity of the scene, layers of meaning related to gender relations and social games of the bourgeoisie of the time can be interpreted. Every detail, from the position of the characters to color management, contributes to a rich visual and emotional experience, testimony of the skill and analytical perception of one of the great artists of the early twentieth century.

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