Composition to the fingerboard


Size (cm): 60x75
Price:
Sale price¥41,000 JPY

Description

The work "Composition to the fingerboard" by Albert Gleizes, created in 1912, is part of the movement of Cubism, of which Gleizes was one of the pioneers. In this painting, the artist offers us a dynamic exploration of space and form, looking for a representation that transcends the merely figurative to enter an aesthetic experience that reformulates the traditional norms of art.

When observing the composition, the bold use of geometric shapes and the fragmentation of the elements stands out. Gleize applies a color palette that covers sober tones and vibrant nuances, fusing blue, yellow and red, which create a harmonious interaction. This chromatic variety not only provides depth, but also establishes a dialogue between the figures and the background, inviting the viewer to explore the relationship between space and form. The colors are combined so that no element is imposed on another; Everything contributes to a cohesive totality.

Throughout the work, the human figure seems to fragment and reconfigure in an almost musical movement. The visual elements - machines lines and planes of color - flow in a rhythmic dance, evoking the idea of ​​"fingerboard", which refers to tuning and harmony, concepts that are taken to the visual field through this composition. Although the human figure is hardly identifiable in its traditional form, you can guess the presence of bodies that interact, suggesting a sense of community and movement. It is a representation that emphasizes dynamism and energy, characteristics of Cubism, where the form and function are interrelated.

Gleizes, in his search for a new aesthetic, not only stops in the visual aspect, but also embraces philosophical and theoretical concepts. Cubism, beyond being an artistic style, is a way of seeing the world that highlights simultaneity. The work "composition to the fingerboard" reflects this philosophy by not giving priority to a single point of view, but by offering a multiplicity of perspectives that challenge our understanding of three -dimensional space.

In this context, painting becomes a bridge towards modernity, a testimony of the change that art was going through in the twentieth century. Gleizes, along with other contemporary artists such as Pablo Picasso and Georges Braque, helps us dismantle the traditional concepts of representation, encouraging viewers to adopt a more complex and abstract vision of the reality that surrounds them. Its style is characterized by the analytics of the form and a deep interest in the structure, aspects that clearly manifest in "composition to the fingerboard".

Through this work, Gleizes not only invites us to contemplate art but also to question our own conceptions of the object and space, giving us a visual experience that resonates in a contemporary way. Its innovative approach continues to show relevance in current art, and "composition to the fingerboard" is established as a vibrant testimony of the transformative potential of Cubism, a movement that has left an indelible mark on the development of modern art.

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