Description
Kazimir Malevich, the innovative and radical Russian artist, left us once again perplexed with his work "Combined suprematist composition (sensation of metal sounds - dynamic) (pale - metallic color)" of 1927. Malevich, precursor of suprematism, an artistic movement That he founded, provides in this work a deep exploration of geometric shapes and colors, moving away from the tangible world to immerse himself in pure aesthetic perception.
The painting, faithful to the suprematist style, rejects any form of figurative representation. There are no recognizable characters or objects; Instead, the work consists entirely of abstract geometric shapes that seem to float in an indefinite space. The composition is constructed from a set of rectangles, lines and angular shapes that immediately evoke a feeling of dynamism and simultaneity in the viewer. The orientation of these forms suggests movement and energy, characteristic that Malevich used to explore with fervor.
The use of color in this paint is particularly significant. He painting It is presented with a limited palette, predominantly the pale and metallic tones, as its title suggests. The colors seem to have been chosen to evoke a specific sensation, which Malevich articulated as "feeling of metal sounds." Through his careful chromatic selection, the artist achieves visual synesthesia, where the viewer not only perceives with his eyes, but also seems to listen to the sounds that this abstract landscape could produce. This chromatic choice, although restricted, results in a rich interaction of nuances and tones, creating an almost auditory visual vibration.
The background of the painting is of a pale white, which highlights and gives prominence to floating geometric shapes. This empty space or negativity enhances the feeling of isolation and purity that Malevich was looking for in its compositions. Here, forms do not seem confined within a physical space, but float freely, suggesting a spatial dimension outside physical reality.
It is crucial to mention that this work is part of a series of Malevich explorations during the 1920s, when the artist had begun to experiment with the idea of non-objectivity and purity of perception. Malevich's suprematism set out to eliminate everything superfluous of painting, focusing solely on the essentials: the form and color as universal principles of aesthetic experience.
If we compare this work with other Supreme Creations from Malevich, we can notice an evolution in your thinking and technique. For example, in "Black Square on White Background" of 1915, one of his most iconic works, Malevich had already explored the idea of basic forms and limited colors, but with almost brutal simplicity. On the other hand, in "Combined Supreme Composition", the arrangement of geometric shapes is more complex and its color palette although restricted feels specific and evocative.
"Combined Supreme Composition" of 1927 is not simply a work of art, but a sensory experience that invites the viewer to transcend the tangible and immerse itself in a dimension where perception and emotion are intertwined. Malevich, with his radical denial of the figurative and his insistence on the essential, forces us to reconsider and rediscover the act of seeing, feeling, and ultimately, being.
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