Meknes City Wall (Morocco Sketchbook) - 1832


size(cm): 50x75
Price:
Sale price¥39,700 JPY

Description

The painting "Wall of the City of Meknes (Morocco from the Sketch Book) - 1832" by the master Eugène Delacroix is ​​a clear manifestation of his artistic genius and his fascination with travel, a recurring theme that fueled his work throughout his life. In this representation, Delacroix offers us a captivating vision of Moroccan architecture, framed in a conceptual dialogue between the natural environment and human intervention.

The work captures one of the iconic walls of Meknes, a city that holds its own historical legacy, reflecting both the history of Morocco and the influence of European colonialism in the 19th century. The composition is both simple and powerful: a solid brown wall is seen delimiting what appears to be the Moroccan landscape, with earthy tones dominating the painting. The right angles of the construction contrast with the softness of the natural forms that surround it, emphasizing the monumentality of the wall and the stillness of the surrounding landscape.

The colour palette used by Delacroix is ​​characteristic of his romantic style, where warm, earthy colours are combined with more subtle nuances that evoke the atmosphere of the surroundings. Ochres, siennas and subtle shades give a sense of warmth and time, while the pale blue sky suggests a clear, serene day. This choice of colours, as well as being aesthetically pleasing, manages to convey a certain melancholy, an echo of the ephemeral that is related to the history and memory that the ancient walls breathe.

As for the human figure, the work seems to lack any visible characters, which could be interpreted as a reflection of the artist's own solitude and introspection. Delacroix, often absorbed in his creative process, offers a space where the observer can contemplate the grandeur of nature and architecture without distraction. This effect of emptiness invites a deeper reflection on the relationship between civilization and nature, as well as on the impact of time on both.

Delacroix had travelled to Morocco at a time when the romantic vision of the Orient was beginning to have a strong echo in 19th-century Europe. This trip had a profound influence on his work, as evidenced by numerous works where oriental light and atmosphere permeate his entire production. "Wall of the City of Meknes" can also be seen as a response to this search for authenticity and connection with non-Western cultures, at a historical moment when the representation of the exotic in art became almost an imperative of modernity.

Through this work, Delacroix establishes a dialogue between the present and the past, with a distinctive approach that underlines the monumental and testimonial character of architecture and its forms. In sum, “Meknes City Wall” is not only a product of its time and place, but also points towards a future of art where the exploration of the different would become a vital vehicle for artistic expression. The work is a testament to Delacroix’s physical and metaphorical journey, and a reminder of his ability to capture the essence of enduring places and moments in art history.

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