Cap worker - 1935


Size (cm): 55x85
Price:
Sale price¥43,600 JPY

Description

The "worker with a cap" (1935) of Pavel Filonov is a work that undoubtedly catches the attention of the one who contemplates it, requiring a deep analysis to fully understand its complexity and symbolism. Filonov, a Russian painter known for his commitment to "analytical realism", enters the most thorough details of his subjects, and this piece is a paradigmatic example of his distinctive approach.

In "Worker with a cap", Filonov's analytical realism manifests itself through an intricate framework of lines and patterns. The worker's face, which is the central element of the work, is almost lyrical in its representation, with a texture that seems to vibrate with internal energy. The thorough brushstrokes and the cross -linked lines create a sense of incessant movement, although the worker, in fact, seems to be quite motionless. The cap, which gives name to painting, is not a mere accessory but an extension of the character's own character and the condition of the worker. It is represented with the same level of detail as the rest of the composition, conferring a symbolic weight that highlights the identity of the subject.

The color palette used by Filonov in this work is remarkably terrous, with predominance of brown and ocher tones that provide a sense of warmth. However, despite this warmth, the work does not lose the hardness that usually associates with the worker's life. Dark tones and well -defined shadows on the face and cap contrast with illuminated areas, creating a three -dimensional effect that increases the sensation of realism.

Filonov, characterized by an almost obsessive technique of infinitesimal details, uses here a method that could be described as a set of miniatures that, when combined, form a harmonic totality. This technique embodies its vision that reality is not something that is captured in a single glance, but something that is understood by a deep and prolonged observation.

Although the figure of the worker is the undisputed center of the work, the fund is not merely accessory; It is a vital component of painting. The grid of geometric and organic patterns that forms the background suggests a kind of cosmic framework, an unwavering connection between man and the universe. This treatment of the fund, far from distracting the subject, seems to underline the importance of the worker's role in the structure of the world.

It is interesting to note that Pavel Filonov, throughout his career, expressed a deep concern for common subjects, especially workers, almost as precursors of what would later be Soviet proletarian art. In this sense, "worker with a cap" arises not only as a representation of an individual, but as a symbol of the collective, personifying the struggles and hopes of the proletariat of the time.

In comparison with his contemporaries, Filonov is in a single category. While the Russian avant -garde explored different forms of abstraction and construction, Filonov remained committed to its unique style, a synthesis of realism and symbolism that undressed the very essence of its themes. This painting, together with others of his extensive work, highlights his ability to capture both the physical image and the emotional resonance of his subjects.

"Worker with a cap" is, therefore, a work that demands to be studied, not only admired. Each line, each shadow and every detail tell a part of a greater story, the history of life and work, of identity and the human spirit in its tireless search for purpose and recognition. Pavel Filonov, through this painting, offers us a mirror through which we can glimpse not only the life of a specific worker, but the very essence of working humanity.

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