Baltimore battleship in the port of Stockholm - 1890


Size (cm): 75x55
Price:
Sale price¥40,600 JPY

Description

Anders Zorn, one of the most prominent Swedish painters of the nineteenth and early twentie Light and the colors of the Stockholian Puerto. This work, which is in the context of the growing importance of naval power and the modernization of fleets at the time, highlights Zorn's skill in the representation of aquatic scenarios, a recurring theme in its vast artistic production.

The composition of the painting is dominated by the figure of the battleship, which emerges imposing in the center of the painting. This ship, with its powerful silhouette and meticulously achieved details, is erected as a symbol of the United States maritime force. The structure of the ship, with its chimneys and visible cannons, not only evokes industrial progress, but also establishes a visual dialogue with the environment. Zorn uses a perspective that exceeds the simple portrait of the ship; The background shows an urban and natural landscape that complements the work, with buildings that appear between the horizon and a sky that brings a color palette that goes from the deep blue to the whites and gray of the clouds.

Zorn's chromatic choice is fundamental in this work. The warm tones are found in the representation of the diurnal sky that is fragmented in several shades, creating a light effect that bathes both the battleship and the waves that surround it. This game of lights and shadows remembers the technique of the impressionists, although Zorn maintains a clearer diagnosis of the forms and a less dispersed pictorial density. The color not only defines the atmosphere, but also establishes the identity of the ship and the environment, in a coming and going of emotions that feels palpable.

As for the human figure, although distinctive characters are not observed in this work, the presence of the battleship circumscribe implicitly to the men and women who have made possible their operation and who have been part of the port life. Through this absence, Zorn perhaps suggests the simultaneity of progress and daily life in the port, creating a space where the viewer is invited to reflect on the interrelation between technology and humanity.

Zorn is not only limited to representing a specific moment; Its ability to capture the atmosphere of a place in this case, the port of Stockholm with its emotional burden, its history and its dynamics is what gives the work its singularity. His approach to marine landscape is characteristic in his career, where many works explore the interaction of light with water in different contexts, revealing a remarkable technical mastery.

Baltimore battleship, in a broader sense, can be interpreted as a metaphor of the modern era. Through this work, Zorn not only documents a historical moment, but also invites a reflection on technological advancement and its impact on society. By capturing the essence of a contemporary time through its brush, Zorn ensures a place in the pantheon of the greats masters of art, demonstrating that art can serve as a mirror that reflects not only the visual, but also the conceptual and emotional of an era.

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